Monday, October 31, 2022

Femme Fatale - Oct 31 2022

 

Femme Fatale

Oct 31 2022


The steering pulled left.

It took forever to stop

on threadbare brakes.

And the feeble engine

which had lost compression

never was much good.


But the old car was beautiful

in a vintage sort of way.

Sheet metal

from the heyday of Detroit

lovingly buffed and waxed,

and a plush interior

that matched the mushy suspension.


Who cared

it was unsafe at any speed;

no seatbelts, airbags, padded dash,

steering wheel

made of plastic and steel

that was uncollapsible,

no matter the impact

no matter how fast.

Dated windows

of first generation safety glass, 

chrome bumpers

that were just added weight.


What we sacrifice for beauty.

Like the gorgeous woman

who turns every head

in whatever room she enters,

and whom all men desire.

If not buffed and waxed, exactly,

then immaculately made up;

a fashion model

sculpted and coiffed

and dressed to kill.

No matter how cold and shallow,

how mercenary

her soul.


She is seated beside you

heading down the highway

in that vintage car,

a trophy

for all to admire.


The steering pulls left

and you stop pulling back,

straddling the centre line

on the 2-lane road.

And for some reason

give it gas, as well,

as if your right foot

had a mind of its own.

So the faster and faster you go,

staring into the distance

with a glassy-eyed look,

impervious

to oncoming traffic

veering around the car.

As if no harm can come

under her halo of pulchritude.


And when horns blare and fists are raised

you take it in stride;

a well-deserved salute

to your fine eye for beauty.

Why move?

After all, you've earned your entitlement.

And a man like you

can afford to be magnanimous;

the envy

which is perfectly understandable

you so graciously excuse.


Malcolm Gladwell's latest piece in the New Yorker was about Jack Welch, the notorious

former CEO of General Electric. This is how the article ended, and on reading it this poem immediately started to write itself (the quote is from. William D. Cohan's 2020 biography Power Failure):


They got into Welch’s Jeep Cherokee, and Welch refused to put on his seat belt, so the warning bell chimed the whole ride back.

Off he drove. When he got to the left turn out of the Nantucket Golf Club, onto Milestone Road, he did something odd. Instead of keeping to the right side of Milestone Road, as other American drivers do, he decided to drive in the middle of the road, with the Cherokee straddling the yellow line. Needless to say, the drivers coming toward us on Milestone were freaking out. One after another, they all pulled off to the right onto the grassy edge of the street, giving Jack full clearance to continue driving down the middle of the road. He didn’t seem to notice.”


The Oracle of Despair - Oct 30 2022

 

The Oracle of Despair

Oct 30 2022


The prediction

that things will get worse

has proven correct.


I take no satisfaction in this.

Vindication, under such circumstances

is meaningless;

I wish I'd been wrong.


Not that I'm some kind of seer, oracle

clairvoyant.

I don’t soothsay or prophesy,

don’t read the leaves of tea

or sacrifice animals

to examine their entrails.


I just notice the signs.

And have become resigned

to human frailty

and the flaws of human nature.

Know

that while history doesn't repeat, it rhymes.

And that in my own life

I also find myself replaying

the same mistakes

despite knowing better.


So what's new, the goldfish died

friendship lapsed

relationship failed,

the divorce

couldn’t have been nastier.

Not nuclear Armageddon.

Not famine or war.

No lives lost.

Just the usual drama

understandable regret.


The end of history, as foretold?

Hardly.

It's just that we don't remember well.

And that the past

is as uncertain as the future;

rewriting history

to serve whatever purpose

suits the current moment best.


I just read a front page article about permafrost melting, methane release, climate change tipping points, and the runaway train of positive feedback effects. Finally! Something I’ve been railing about for literally decades, but no one’s been listening. Vindication? Hardly. More like cynicism and despair; throwing my hands in the air and giving up.

But despairing at all that's going wrong in the world, as well as the fatalism that we are doomed, no matter what, by our own essential flaws — greed, short-term thinking, the lure of power, anthropocentrism, consumerism, xenophobia, historical ignorance, irrationality, superstition, denialism, and while I'm at it all the deadly sins — is too bleak. So I took the poem in a more personal direction. Which is a kind of forgiveness for our folly: after all, why expect anything different of us collectively when our own personal histories are equally prone to the same repeated mistakes, the same short-term thinking?

I've also been thinking about how, from the way it's taught in school, we think of history as fixed. When, in fact, it keeps getting rewritten: in a good way, by serious academics; and a nefarious way, through the wilful blindness and simplification of self-serving populists and rabble-rousers. (For more about the malleability of history - how it can be rewritten and politicized — this article might be of interest: https://www.theatlantic.com/ideas/archive/2022/10/american-historical-association-james-sweet/671853/) Who would have thought that the past could be as murky as the future? That objective truth about the past (if such a thing is even possible) can be almost as hard to get right as successfully predicting the future! (A redundancy, I know — predictions are always about the future, after all! — but hard to word any other way.)


Feeling the Burn - Oct 28 2022

 

Feeling the Burn

Oct 28 2022


I used to be a runner.

Not someone who does, but is.


Was once many things

now fewer.

Which is just how it goes

as you go on living,

the process of loss

one after the other

you sometimes don't even notice.


So how elated I felt

when I gave chase

and found I could.

Notwithstanding

inappropriate shoes

and hot constricting pants.


Actually, more jog than run.

Speed walk, if you will.

Nevertheless, huffing and puffing

and feeling the burn.


So like the bad singer

who soldiers on undaunted,

who mostly talks the words

in the wrong key

in his 3 approximate notes;

the high one and the low,

the sideways slide

he finds close enough.


I never could sing,

so for me

good as ever.

Nor at my best

could I keep up with the dog,

so quick walk or not

pleased with myself.

Pleased

with the sensation of speed

and the healthy sheen of sweat;

the feeling of being embodied,

and that good kind of pain

the runner in me remembers.


Old Brick - Oct 26 2022

 

Old Brick

Oct 26 2022


The old brick

was crumbling at the edges

and imperfectly spaced.

The mortar was a light grey

and looked eternal,

like exposed rock

repeatedly washed by rain.


But beautiful,

a gradation of of hues

from warm pink to faded red,

worn

by years of weather

in the way that vintage jeans and old leather

show their age.

A softness

that makes you want to reach out and touch,

run an open hand

over it's fine smooth surface

until it's warm as you are.


After the demolition

I collected it

to build something new.

How refreshing

in a culture obsessed by youth

to find value in something so old

rescue something discarded.


Used brick

the passage of time has weathered

to a fine patina

of warmly textured pink.

A condemned building,

but lots still left in it.


And the elders

we sideline and ignore.

Who have aged gracefully, and long.

Who have accumulated wisdom

through painful experience

and hard-earned success.

Whom we'd be better off hearing

but too often dismiss,

disposed of

like brick no one wants

or would rather not be bothered with.


I guess the angle this poem takes was pretty obvious from the start. After all, you can’t reproduce the passage of time in something new. Still, this singular preoccupation with age in my poetry is starting to get embarrassing!

Hope - Oct 25 2022

 

Hope

Oct 25 2022


I'm hopeful, but not optimistic.


Which is a relief,

because I’ve met people

who've given up hope

and they look pale, drawn, wasted.

Zombie-like, they shuffle instead of walk,

gazing dully at the ground

and stumbling into traffic.

Yes, just as bad as they expected.


Not that I don't envy optimists.

Not the frequent disappointment

they must encounter,

but the sunny disposition

and triumph of will;

me, a born pessimist

who expects the worst

and therefore prepares for it,

so that often enough

I get to be pleasantly surprised

when things turn out well.


Still, there's always hope.

At least until there isn't.

I wonder

if even on the deathbed

there persists some small shred,

the possible, if improbable

2nd act of life.

Because hope is hope

false or not.

The foundational thing, the life force.

After all, you never know.


Even here and now

in this time of fear and loathing

and deep uncertainty

I try to be hopeful,

see those bright-eyed optimists

and take heart,

do my best

to follow after them.

No matter how unnatural it feels.


Take a single step

to start.

Because hope without action

Isn't hope at all,

just magical thinking

and blinkered denial.


Pet Names - Oct 24 2022

 

Pet Names

Oct 24 2022


Pets with people names.

And pet names

for the people we love.


Embarrassing ones

you'd never say in public.

Cute ones

a man finds unbecoming.

And sometimes just for fun,

because the joy of words

and clever punning

is reason enough to play.


Not to mention

the cunningly erotic,

reserved for intimate moments

when only she will hear.


Then what men call each other,

insulting

demeaning

cutting.

Because tough love

is how men bond,

and only best friends know

the soft sensitive underbelly

that can make another squirm.

As if to open up

and say how we really feel

would show unacceptable weakness.


I'm not sure what women say

between themselves.

Do they even have nicknames?

And if so

are they cute, caring, or catty?

Or are they bad as us;

hurtful

but also loving?


My dog's name is “Rufus”.

A boy's name for a girl;

but she's fixed,

and anyway

wouldn't know the difference.

But what I fondly call her

is “my little dumpling bum-hole”.

Because she's nicely rotund

  —  chubby?

                 fat?

                 solid?   

and when I walk behind

she prances along

with her tale up

and private parts showing;

a round pink bum-hole

winking back at me.


But no matter how cute

I'm amusing only myself.

Because she's thrilled

with whatever she's called

as long as I call her to dinner.


Also “big shot”, “munchkin”, “ninja”,

great brown hunter”.

Showing my love

with pet names

for a pet named for people.


Domesticated Dogs - Oct 23 2022

 

Domesticated Dogs

Oct 23 2022


The dogs slept through it.


In the back seat, nestled together,

lulled

by the car's familiar motion

the engine's steady drone.


Just as I remember

as a child in the family car,

night driving

in that cozy twilight state

between sleep, and wakefulness.


Completely trusting

in my dad at the wheel,

never imagining

anything bad

could happen to us;

serenely sure

it was always others who crashed.


All except, that is, the nestling;

3 territorial brothers

who kept as far apart as possible.


Not a collision.

Rather, a juvenile deer

on the quiet suburban street.

My dogs' superpower of smell

apparently useless here,

their predatory heritage

mostly bred out of them.


The bewildered forest animal,

skittering on the pavement

on its long lean legs

and dainty feet,

all hair-trigger instinct

and hyper-vigilance.

Caught

between panic and paralysis

it froze for a second

in our blinding lights,

before darting off like a shot

and vanishing behind a house.


Meanwhile, my domesticated dogs slept.

The old girl's heavy breathing

erupting into snores,

and the young one

who runs in her dreams

pumping her legs

and emitting strangled yelps.


Or perhaps they were fully aware

but jaded realists:

knowing they hadn't a chance

of catching that deer;

no clue what to do

if they did.


Friday, October 21, 2022

Sangfroid - Oct 21 2022

 

Sangfroid

Oct 21 2022




The phenom stands tall,

looking far too small

out on the green manicured grass

of a vast right field.

There are no shadows

under the bright stadium lights, 

nowhere to hide

from the demanding gaze

of the hometown fans,

but then he's always been

the centre of attention.


And as happens in baseball,

where sudden bursts of action

punctuate long spells of tension,

the ball's in play.

I watch him accelerate

with the long smooth stride

of a cheetah in its prime,

before he leaps flat out, hand extended

and snags the game-saver

in the soft leather webbing

at the end of his glove,

holding on tight

as he comes down hard.

A snow cone, the colour man nods,

as if it wasn't summer

and scorching hot.


Then calmly gets to his feet,

brushing himself off

and adjusting his cap

before tossing the prized ball into the stands;

casually, off-hand,

coolly ignoring

their wild adulation


I'm not nearly as athletic

could never hope to be.

Not to mention far too old

for a baseball career.

But I so want to emulate

his impassive sangfroid

in my mundane civilian life.

No swagger

but no self-doubt,

no grandstanding

humble-bragging

pandering to the crowd.

A gracious gesture

with nothing expected

of anyone in return.


A gifted young man

who respects the game

and understands its culture.

And a rapidly ageing man

who always played badly

and hasn't many fans.


But wishes

that when his time comes

he, too, will walk off the field

with such cool aplomb

and internal satisfaction;

coolly tossing the ball

over a shoulder

and exiting the field of play.

Perhaps a subtle nod

a tip of the hat;

but no backward glance,

no unbecoming display

of emotion.


This week's column from Garrison Keillor was the inspiration for this poem. That, and the fact the baseball playoffs are going on.

His closing paragraph was a particular pleasure: our shared love not only of baseball, but of semicolons! I also had a big smile reading In another ten years, that fielder will be a civilian, like you and me. So I shamelessly appropriated "civilian", and can only hope this acknowledgement lets me off the hook for grand larceny!

Although I don't see the ball toss as an act of "cool disdain". Rather, I see it as an act of genuine humility, as well as a gesture of respect toward the fans. Who, after all, pay his very generous salary!


Less is More: Repeat 10 Times

I am noticing a good many books and articles about masculinity in crisis these days, and am faithfully avoiding reading them, since I’m not in crisis myself and I’m on a campaign of clearing out clutter in my life. I have just cleared off the top of my desk and am feeling good about myself, even though some of the flotsam got stuffed into the desk. I am now going to rid myself of books I’ll never read and clothes I never wear.

Sometimes I sit in the evening drinking ginger tea and watching baseball on TV with the sound off, two teams I don’t care about and so it’s not about winning, it’s about the art of baseball, the sharp reflexes of infielders and the unique windup of each pitcher, the occasional incredible full-tilt leaping outfield catch that kills the rally and the fielder casually tosses the ball into the stands. It’s such a cool move. Home runs mean nothing to me but that beautiful high-speed intersection of outstretched glove and ball and there’s no victory dance, just cool disdain. Tough luck. The fielder heads for the dugout, the ball goes to a kid in the grandstand. The commentary of the announcers is worthless; it’s all about the beauty of youth and agility and discipline. In another ten years, that fielder will be a civilian like you and me.

This love of silence may be a benefit of three years of pandemic isolation. Or maybe it’s something that comes with being 80. I don’t have a lot of spare time to read righteous writing about other people’s crises: I have no time to spare, in fact, and want to enjoy what’s left to me. I discover that I truly enjoy silence. I know people who, when they have guests for dinner, like to play background music, and it drives me nuts. I hear souped-up cars and Harleys sitting at a red light, revving their engines, and see porky men with thin grey ponytails at the wheel, and wish they could be locked up in a treatment centre. I live in an apartment building that, because it’s expensive, has no residents under forty, so there aren’t loud parties on Saturday night.

I went to loud parties fifty years ago and hosted some of my own, and now the thought of it strikes me as torture. My favourite social interaction is daily marital congeniality and my second favorite is when the phone rings and a friend is at the other end who is a good conversational partner and we do a very delightful verbal dance for half an hour and say goodbye. This, to me, is one of the supreme pleasures of old age. In the course of living your confused and sometimes crazy life, you’ve managed to collect an assortment of people you love to talk with.

Unfortunately, they die off. Margaret Keenan is gone, Bill Holm, Louis Jenkins, my brother Philip, Roland Flint, Arnie Goldman, but others are waiting to be discovered. I don’t text, I don’t TikTok, because there’s no feeling there, no meaning, it’s like waving from a passing car.

My brother was an engineer, a very different line of work from mine. I’m in the amusement business and he was a problem solver. In my life, I’ve tended to be a problem creator, but in my new octogenarian life I’m trying to atone for that. It is never too late to make amends.

I’ll keep two suits to wear to church, and I’ll give away ten others and also the four tuxedos I wore back when I did shows with orchestras: no occasion for them now, so some homeless guy may enjoy looking snazzy. My uniform is jeans and black T, I don’t go for shirts with humorous quotations, so my closet is small. One pair of comfortable shoes. A belt. I’ve lost weight lately and once, carrying groceries to the car, my jeans slipped down to my knees before I could set the groceries down. A woman whistled at me. I did not respond, didn’t know how to.

Less is more. I went through some tumultuous years and don’t miss them. In this whole day, I only want to do a few things right. Dive to my right, backhand the hard grounder, jump up, throw the runner out by half a step at first. Know when to use a semicolon instead of a comma. Put my hand on her shoulder and tell her I love her.


Base Metal - Oct 21 2022

 

Base Metal

Oct 21 2022


What if you could really change your mind?

Not a second helping

or a different shade of blue

but transformational change,

like the transubstantiation

of lead into gold.


Who — or what — would you become?

I imagine more sure of yourself,

smarter

more charming

a determined self-starter;

and, of course

disarming to the opposite sex.


Because, in the end

Darwin was right;

it all comes down

to reproduction and survival  —

finding a mate

and staying alive.


But change is hard.

Even changing minds

a change of heart,

let alone

who you are.

After all, it's taken me most of a lifetime

to simply know myself,

and now you’re asking me to learn

how to be somebody else?


And just as long to realize

that though other lives look brilliant

from the outside looking in

hardly makes them so.

The corrosive sin of envy

that not only eats at your soul

but isn't worth the bother.


Not to mention

that the alchemy of personal reinvention

is beyond me,

as esoteric

as particle physics

and living forever,

the conspiracy theories

of true believers

and confidence men.


Hard enough, after all

to change an opinion

break a hundred dollar bill.

The best I can hope for

is to stay curious

keep an open mind

and accept my imperfections;

base metal

with a dusting of gold.


I was listening to a podcast about changing minds, and the way my brain processed that word, “change” took on a whole other valence. I thought this would be fun to play with.

(Conspiracy theory did, btw, come up in the podcast as well: it centred on a “truther“ who believed Sept 11 was a government plot — there were no planes or hijackers — and who turned out to be one of the very rare ones who actually was converted from delusion to reality. https://www.pushkin.fm/podcasts/cautionary-tales/cautionary-conversation-the-conspiracy-theorist-who-changed-his-mind)

I suppose alchemy came so easily to mind was because I used it in the last poem I wrote, and quite enjoyed its arcane connotation.

Is it politically incorrect these days, when we've come to recognize gender fluidity, and accept (some of us, anyway!) transgender identity, to refer to the “opposite” sex? After all, sex and gender are hardly seen as binary anymore. Unfortunately, there are space constraints in poetry; no room for much elaboration, explanation, or tangential lines of thought. So I felt the shorthand of “opposite sex” was acceptable, even if it does represent old school thinking.


Grand Piano - Oct 19 2022

 

Grand Piano

Oct 19 2022


The grand piano was a mistake,

taking up space

and collecting dust

but never even played.


So when it came time to move

it was an anchor,

the centre of gravity

weighing us down

and mooring us to this place.


But so beautiful.


Its black enamel finish

lovingly polished

to a mirror-like gloss.


Its graceful curves

and seamless joinery,

the gleaming string of keys.

lustrous as pearls.


The massive cast iron plate

that lies at its centre

like a remnant of the 19th century,

a masterwork

of heavy industry

in the age of steam.

That merely by its presence

exudes strength,

by its density and weight

a permanence

I find reassuring

in a time of bewildering change.


And on it

the strings strung

with the elegant precision

of a mathematical proof,

their stillness

disguising the lethal tension

that by some incomprehensible alchemy

transmutes into beautiful sound.


We decided it couldn't be moved.

Thrown into the deal, and left behind

for the delighted buyers

to cherish

contend with

regret.


Because no one plays, anymore,

no function follows form.

So a useless thing

rescued by its presence

and treasured for its beauty.

Because if architecture

is frozen music,

then this instrument

is a work of art,

silent or not.


Like poetry

that's never shared

a tapestry left in the dark,

there is a purity

to this impracticality;

art

for the sake of art.


A recent First Person essay in the Globe was about our relationship to our possessions, but more particularly about the writer's ambivalence toward moving, the gravitational pull of “home”. (https://www.theglobeandmail.com/life/first-person/article-and-just-like-that-im-joining-the-great-millennial-migration-to/)

This bit stuck with me (below, in italics). Maybe as much out of sympathy as out of surprise that a youngish Millennial would even own a grand piano in the first place!

(Although after a little Googling, I realize that she does use it. Apparently a lot. Because Amy Boyes is actually a piano teacher. So this poem is definitely from my point of view, in which pianos are not there as practical instruments, but rather to make a statement: about their owner's class, taste, aspirations. Often, with wealthy people, as simply part of the interior decoration, but never used. Or with the rest, an object from their kids' childhoods gathering dust in a corner of the basement. Something you can't sell, or even give away!)


I glance around the room, mentally tallying the effort of moving. A grand piano, all six feet of it. So many bookshelves, never mind the books. A faux fireplace. Would it be silly to take it?

The weight of belongings is not just physical, it’s mental, too. The duality of human relationships with objects is complicated. Does my piano belong to me or do I belong to my piano? Will I cringe to watch it crated and shoved through the front door? Is it better just to sell it here and buy new? Will I ever read those books I’ve shelved for years? Does the current edition of me even like the books I was so enamoured with in university? And why do we have six saucepans?