Sunday, April 21, 2019


At a Minute-Per-Day
April 20 2019


On a good day
with little traffic
and green succeeding green
as if I'd slipped something to the maitre d'
and he had waved me on through
with a nod and a sweep of the hand.

Ushering me north
20 minutes, door-to-door.
Driving into the past
at the speed of a day for every minute,
like watching time as it recedes
in the rear-view mirror.
Passing from nascent spring
into winter's dregs.

The heavy snow
is coarse and granular,
its eroded edge
like some moth-eaten garment
that was put away soiled and wet.

And where the lawn ends
the sun, gathering strength
has exposed a thin irregular strip
of dead brown grass
and sodden earth.

The eaves are dripping,
and a pungent whiff of spring
complicates the air,
as the soil stirs to life
and matter decomposes
and the heavy frost recedes.
Returning overnight
like a unwelcome guest
reluctant to leave.

On this height of land,
20 minutes north
of majestic Superior
and the city heat that clings to its shores,
I am a time traveller
on a gravel road.

Winter has dug itself in
and it will take all of early spring
to pry the land free.
Only to return next fall
too soon, as usual.
When 30 minutes south
down an icy road, past leafless trees
the city will still be dressed
in its autumn splendour.

Tuesday, April 9, 2019


Interminable
April 9 2019


Winter hangs on,
the grim sky
the bone-damp chill.
Rain turning to snow,
a glimpse of sun
snuffed-out by overcast.

Spring is the season of life,
but winter reminds us
of the life force;
how persistence is everything
and how hard it is to kill.
Each cell
in its death grip
hanging desperately on,
the brain, self-aware
racing frantically.
Try finishing a man
with a machete, he said
and you will understand.

So even this dismal season
will not relent,
as if cold begets cold
and the sun were receding.
As if a snowball earth
had lost its heat,
its molten core stilled
its surface locked in ice.

But none of this is true,
and as the planet turns
and the days lengthen
and the sun ascends the sky
another spring is certain.

It comes later every year.
Or perhaps this is age
and a trick of perception,
so that winter seems never-ending
and spring a cruel temptress
egging us on.




Thinking back, I think there were 3 things that subconsciously conspired in the creation of this poem.


Winter is dragging on well into April, and this strikes me as unusually late. But then I remember I thought this last year, as well, and it probably wasn't much different. For some reason, we seem hold to some concept of “normal” weather that is no such thing. And even as time goes faster as I get older, does age make it feel as if winters are longer, and summers shorter?

It is the 25 year anniversary of the Rwandan genocide, and I recently heard a radio interview with Romeo Dallaire, the Canadian general who was in charge of the undermanned and under-equipped UN peacekeeping forces there. Michael Enright quoted Dallaire from one of his books, where he said (I am paraphrasing): “It's very hard work to kill someone with a machete.” I felt a literal chill, hearing this. But it's true. Not just the bluntness of this horrible instrument, but the life force of any living thing, grimly clinging to life despite the gravest of injury. So in the poem, a personified winter also won't let go.

And finally, I just put down a beautifully written piece from the latest New Yorker by Anne Boyer (What Cancer Takes Away – April 8 2019; https://www.newyorker.com/magazine/2019/04/15/what-cancer-takes-away). I think this is what led me to put an incidental seasonal observation into such stark terms of life and death.

Btw, there was a phase in earth's ancient geological history in which it was, indeed, a snowball planet. You can read about the Snowball Earth hypothesis here: https://en.wikipedia.org/wiki/Snowball_Earth .

Friday, April 5, 2019


Silence
April 3 2019


This silence feels more like a presence
than the absence of sound.

Because it is emptiness
we cannot abide,
our nervous energy spilling out
to fill the unbearable voids.
How the restless brain confabulates
in its dark noiseless skull.
And how we link effect and cause,
connect the dots
no matter what.

The high-pitched buzz
as the noise-injured ear
strains to hear.

The dead we swear we saw
in the grief of sudden loss.

The hollow
in the double bed
that keeps you up at night;
in fitful dreams
the touch you miss
as sleep slips in and out.

It's as if the silence here
had mass and dimension,
hovering over the forest
like a watchful presence
in the dark stillness of night.
As if the blackness between the trees
had absorbed all sound,
leaving only me
to disturb the precious peace.

Except silence is never complete.
A leaf rustling
an owl's muffled wings.
Hot blood
rushing past my ears
as my heart beats louder and louder.
And my lungs
rasping in and out
in long deep breaths.

Because among the living
there is no escape from sound.
The sturm und drang of nature
cacophony of man.
The deaf, who sense vibration,
as well as those who listen poorly
or only to themselves.

Even the dead
who once shouted, laughed, and cried
reverberate still;
because energy is conserved,
and their voices somehow survive
however unrecognizable.


The Lived-In Home
March 29 2019


The shoes by the door
seem unnaturally still
as if arrested mid-stride,
just as they were
when they were dropped
kicked-off
toppled on their sides.
Not regimented
in primly matched pairs
as if there was virtue in order,
but the cheerful neglect
that wordlessly says
we have our priorities straight.

You cross the threshold
and pass from the chill of dusk
to the warmth of home.
Especially in spring,
the season of sudden blizzards
and freshly thawing mud.
Where the winter boots still slump
like battle-weary soldiers,
crumpled uppers, salt-stained and scuffed,
along with gumboots and runners
laces undone.
Shoestrings soaking
in puddles of melt.

Our footwear ages
in step with us.
Hard to believe
that a thing so unique
could have come from the factory
in exactly matched pairs,
now, as idiosyncratic in their wear
as we are.

The cluttered hallway inside the front door
is an obstacle course,
the welcoming chaos
of the lived-in home.
Each pair
proclaiming its story
in its battered upper
and the wear of its tread,
from the his-and-her boots
to the toddler's sneaker
so unbearably cute.

And your favourite pair of walking shoes
in supple leather, with the cloud-like sole,
reliably resting
in a heap on the floor,
just as you left them
ready to go.