Taking
Your Place
April
26 2020
There
is no eye contact
in
line.
Just
as we take our place
keeping
just the right space between
us,
the
force field
of
social distance
no
one needs explained.
Still,
we notice.
How
people dress themselves.
Who
is standing together
and
who alone.
The
shady-looking guy
you
want to keep an eye on,
and
the heart-stopping woman
in
3-alarm red.
And
listen-in, of course.
Conversational
fragments
you
can't help but overhear.
And
those you hear by halves
when
someone takes a call.
A
marital spat in public
that
would make a teamster blush,
and the two besotted lovers
who nuzzle, fondle, carry on
as if they were talking in private
or just don't give a damn.
who nuzzle, fondle, carry on
as if they were talking in private
or just don't give a damn.
There's
adolescent slang
you're
not meant to understand,
and
a questionably groomed man
muttering
to himself.
While
an older married couple
are
standing hand-in-hand,
in a calm comfortable silence
they
wear like well-worn clothes.
Except
those times
you
take a furtive glance
and your eyes briefly lock.
When
you feel your face flush red
and
your heart quicken.
And
all you can do to explain
is
nod your head
force
an awkward smile
and
sharply turn away.
I
suppose this poem has special resonance in this time of social
distancing. (I am writing in the midst of the 2020 Covid-19 pandemic,
a note I feel I should include for future readers.) Which would more
accurately be called physical distancing. But either way, the social
convention of personal space and personal boundaries is powerful, if
informal. Even waiting in line, perhaps preoccupied with conversation
or looking at a screen, we manage to sort ourselves. And if you do
happen to accidentally make eye contact, you feel apologetic,
self-conscious, caught out.
I'm
told that eavesdropping on one half of phone conversation can be
particularly annoying, because it's hard to ignore or tune-out: your
brain – that incessantly pattern-seeking human brain – keeps
trying to fill in the blanks, complete the unheard half of the
exchange. So rather than recede into the background noise, it keeps
drawing you back.
Otherwise,
I find it odd how some people don't edit themselves in public. They
behave as if they're all alone, occupying their sovereign space, even
when out in the world. Groups of teenagers, especially; who seem
unable to perceive anything beyond the circle of their friends. And,
of course, young lovers; who have eyes only for each other, and can
easily be excused such indiscretion!
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