Wednesday, April 15, 2020


Messy Desk
April 14 2020


The messy desk
accretes imperceptibly.

Strata by strata
like sedimentary rock.

Or an archaeological dig,
layer by layer
unlocking its past.

Burrowing down
through its books and papers
and lapsed invitations,
unanswered letters
forever stamps.

Its buried treasures
and unpaid bills.

Along with pencils, erasers
a broken stapler,
an old paper-weight
uncounted loose change.

There's a busted trophy
that might have been bowling
his name and team engraved.
As well as a handsome mug
where a dried brown ring remains.

And a small open space
for legal pad or laptop.
Which he forgot to turn off, and is over-heating,
its coffee-stained keyboard
and flickering screen.

According to chaos theory
and the law of entropy
and the general state
of disintegration
of a dizzying world spinning faster and faster
it might as well be burned.

But the high-powered cortex
of its human custodian
has it all meticulously mapped;
do not touch a thing, he commands
I can put my hands
on whatever whenever I want.
He is a detail man,
a cartographer of ephemera
with a photographic eye.

Like the squirrel
burying acorns at random
yet still keeping careful track,
who can last a hard winter
parcelling-out its precious horde.
A detailed map
of essential geography
in its tiny rodent brain.

And a somewhat muddled man
whose socks don't match
and who can't remember names,
but keeps an exact catalogue
of his messy desk.
Which is not to be touched
dusted
or disturbed
he insists,
the glasses he's been searching for
pushed to the top of his head.



It was brought to my attention that a messy desk may be a sign of creativity.

There may be some observational data that support this. I can certainly rationalize the opposite: that a preference for order (or perhaps better imagined as discomfort with disorder), an undue attention to appearance, and the desire to conform with conventional expectations of neatness suggest a mind that wouldn't easily draw outside the lines, as well as a mind that is more oriented to external sources of judgment and validation than internal ones.

All I can say is that as I've become less of a clean freak, I've also become more creative. I write at my dining room table (at which no dining ever takes place, except for hot black coffee and doggie treats) and it is a bit of a mess. Only trouble is, while I think I know where everything is and that nothing ever gets lost or overlooked, that isn't really true!

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