Heavier-Than-Air Machines
May 1 2022
The airport,
that modern cathedral of soaring glass
and high technology,
is thronged with exhausted folk
who are either tired of waiting
or frantically late.
They sprawl across fixed rows
of badly padded seats.
Bargain
with overwhelmed children,
struggle
with overloaded baggage carts.
Stew in slow-moving lines.
The men
dressed like boys
in backward baseball caps
unflattering shorts;
the women, just as practically
in stretch pants
and flat-soled shoes.
Hardly their Sunday best.
No fashion statements, or elegance
in this grand concourse
of world travellers.
The miracle of flight
no longer impresses,
and who cares what others think
when the consensus of casual wear
is universal.
An excited child
stares wide-eyed
out the floor-to-ceiling glass
as planes take-off and land.
Disillusion may come later,
but for now
he's a believer;
because if heavier-than-air machines
do not fall from the sky,
then what other marvels are possible
under heaven's watchful eye?
But his parents
whose long day has just begun
are too frazzled for wonder.
Drinking cold coffee
from a paper cup.
Their connecting flight
held up.
And in the over-heated air
the faint but heady smell
of jet exhaust
and burning rubber.
I hate travelling. As a homebody, naturally. And flying, especially; because airports are a test of endurance and forbearance, as well as a source of anxiety for those who either fear flying, or fear missing their plane, or both.
Which seems ungrateful, because flight is miraculous, and airports are one of the last of the grand public places. In the old days, people dressed up to fly: men in suits and ties, ladies in clever hats and white gloves. In other words, airports are cathedrals of modernity; and once I wrote this (or something like it), the religious metaphor was set. As well as the recurring contrast between architectural grandeur and harassed distracted people; between high ideals — a connected world and elegant travellers — and the mundane reality of flying buses.
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