Lousewort and Saxifrage
May 13 2022
When the road washed out
and we felt cut-off from the world,
I realized how fine the thread
on which we depend
is already stretched past normal.
Which, I know, is a loaded word;
as if how things are
is how they've always been;
as if we weren't already
at the mercy of random events.
And how, over time
complexity
has incrementally increased
in a civilized world
as connected and specialized as ours.
So a butterfly wing,
flapping gently
in some far-off tropical jungle
dense
with succulent green foliage,
or a lost alpine valley
amidst the sedges, orbs, and grasses
lousewort, vetch, and saxifrage,
cascades down to this;
a river
rushing over the asphalt
on a two-lane country road.
Until the soil liquifies
and the pavement caves
and jagged pieces of asphalt
sail downstream,
where they soon sink
into soft churned-up mud.
The wash-out
invisible under the water
so the first few cars don't stop,
tipped on their sides, and swamped
in the cold turbid run-off.
I took the long way around.
A matter of time, I imagine
until that route, too is impassable
and we're stranded for good.
Interdependent and complex systems make our civilization so much more vulnerable than it appears. Most recently, a confluence of events has sorely tested it: climate change, the Covid pandemic, Russia's war on Ukraine, and an increasingly polarized style of politics. Among other stressors.
Climate change and high water wash out the road. But inflation, caused by shortages from the pandemic and the war, means there is no money to repair it. And anyway, there's not enough diesel for the heavy machinery, no asphalt (also made from crude oil, and multiple steps upstream from the finished product) to replace the pavement. Not to mention that water is unstoppable, especially when there's no place to put it. We aren't Biblical prophets who can part the sea.
A scenario that, for now, is hypothetical. Because I have no doubt it will get fixed. Eventually. But next time, or the time after next . . .?
Chaos theory, represented as the butterfly flapping its wings, reflects this: small disruptions, amplified; a vast disproportion between cause and effect. Hence “chaos”: impossible to predict.
I can never resist the chance to take a break in a serious poem like this and play with words. When I thought of a flower-filled alpine field (such a jarring and evocative contrast with jungle) I immediately googled, looking for names. Most of which were delightful, and so I allowed myself to indulge in a short tangent. Two things I seek in a title are something to draw a reader in, and something that misdirects. I think this one does both. One thing I try not to do is steal my own thunder: that is, lift a great line from the poem, and tip my hand (sorry, mixed metaphor!) Which this one also does. On the other hand, lifting it gives me two kicks at the can, a double whammy.
The ending – stranded for good – contains a very intentional irony. The meaning that first comes to mind is about time: stranded indefinitely, maybe forever. But there is also the other meaning of good, and this raises the question of whether a simpler more self-sufficient life -- cut-off from civilization in a rural enclave -- might actually be a better choice than life in our complex interdependent consumer society of mindless abundance and instant gratification. Which one qualifies as good?
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