The Day the Earth Stood Still
Aug 1 2026
In the still photograph
the moment is caught,
the way a flashbulb
going off in the dark
burns an afterimage into your eye.
Arresting time,
so the instant the shutter is snapped
the universe has stopped expanding,
the galaxy no longer circles,
and the planets are locked in place,
arrayed around the sun
like the paper mâché
you made in grade school.
While the earth slams to a stop;
the spin
that all our lives we never noticed
seizing up
just like that,
as if the gods had jammed
a cosmic wrench into its gears.
And with that jolt
we’re all abruptly ejected
along with everything else
not tied down or bolted on,
momentum
hurling us off into space
at 1600 k.
When time is rendered meaningless
and we too
find ourselves frozen in the ether.
Just as the photo remains
exactly the same
for all posterity.
So the food stays hot
the laughs as raucous
the thoughts as nascent,
no one ages
or becomes infirm,
and the dog doesn’t die.
This is the magic
of still photography.
It rescinds the physical laws
that govern the universe
and turns us into time travellers.
Lets us see in a way
both uncanny and unnatural.
And frees us to imagine
whatever happened
before and after
and outside the frame.
So it isn’t true
that time only moves in one direction.
Turns out
you can go back again.
This is hardly my first poem about still photography. Because a snapshot has this uncanny power: the way it lets us interrogate a moment, see the world in the most unnatural way. Unlike video, it leaves room for imagination: what came before, what came after, what’s outside of the frame. We see ourselves not as a mirror image, but as others see us. And it can evoke bittersweet nostalgia, as well as embarrassment and regret. It tells the story we tell ourselves.
(1600k is, of course, a rounding. (Luckily, it both rhymes and scans!) Plus the speed depends on where you are, since the planet circles faster at the equator than it does at the poles.)

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