The Colour I Have in Mind
July 28 2026
The colour I have in mind
is hard to describe
without seeing it.
But if it does exist,
and can be perceived
by a human eye
born under blue skies
in the light of a yellow sun,
it has yet to materialize
as far as I know.
If you do the math
it would seem colours are endless
— blue, green, and red
in all their subtle shades and combinations
until you’d run out of names;
infinity,
an idea that hurts my head
to contemplate.
So the one I have in mind
is mine alone,
beyond language
in any vernacular.
Perhaps a mantis shrimp has seen it
with the 12 colour receptors
in its buggy eyes,
or a butterfly
whose tiny insect brain
can see in ultraviolet
and discern polarity.
So when I remembered that every colour
is contained in white
I was even more bewildered,
because infinity contained
contradicts itself.
And when I was told
that while our sun appears yellow
it’s really white
I was bewildered some more:
that what we see
can’t really be real,
especially when what we perceive
is even less so.
Not when a butterfly’s wings
have no colour themselves,
but simply play
with wavelengths of light.
Not when a mantis shrimp reacts
but feels nothing.
And not when what we see
is not to be believed.
The colour I have in mind
along with everything else.
I chose a shade from the internet for a paint job I’m having done. But what my painter had the store make was wrong. Apparently, they need a chip: they can’t reproduce a digital colour. So it was thinking about colour — and this elusive shade — that got me started here.
Every kid crayons a yellow sun with its smiling face and welcoming rays. But that’s just how it appears when viewed through the atmosphere. And if it really was yellow, then how could snow be white? From where else would the snow get the white light it’s reflecting? So as you’d expect, in space — that is, outside the atmosphere- the sun is indeed white.
Vision and perception are two different things. Vision is what our retina receives: colour, movement, shape, and shadow. But it’s the brain that interprets this signal. Not just synthesizing the input from both eyes to give dimensionality, but paying attention, making inferences, filling in the missing parts, and ultimately giving meaning.
There is no pigment in a butterfly’s wings, no intrinsic colour. Rather, precise arrays of microscopic structures have evolved to reflect light so that some wavelengths interfere with themselves and cancel out, while others reflect cleanly. It’s the latter that form the colour we see. But the wings — in and of themselves — are colourless.
I suppose you could distil this poem to a single clichéd line: that seeing isn’t believing. And perhaps, that we see what we expect to see (the brain likes to get ahead of things by jumping to conclusions and invoking past experience, especially when information isn’t complete). So it’s all in one’s mind: all we know of as reality is what our brains are able to synthesize from the bits that make their way into the closed dark vault of the skull.

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