So There Can Still Be Mystery
Jan 11 2026
I envy the magician.
His disarming patter
and sleight of hand,
the clever way
he makes me doubt reality.
He has me feeling wonder,
something I realize I haven’t felt
since I first encountered the world
as a little child,
wide-eyed
and open to everything.
Mere illusions and tricks
I know aren’t witchcraft or sorcery
but still seem supernatural.
So instead of questioning
I accept magic into my life
at least for now;
I am a skeptic
suspending his disbelief,
a cynic
softening his sourness.
All those years of politicians
deceiving and distracting
and promising magic
when they know they can’t,
of perfecting their patter
while glad-handing voters
and slapping their backs,
and of holding out a hand
to grafters and sycophants
and shady scallywags
have hardened me.
But this silly man
in a top hat and shabby pants
has me laughing and clapping
with giddy delight,
pleased to be fooled.
I’m sure his parents disapproved.
How could a sensible man
make a living playing children’s games?
And how could their son
commit his life to a skill
more suited to conmen and grifters
than upstanding citizens?
But passion always wins,
hard work pays.
Close-up magic
on a black velvet table-top
inches from my eyes.
A momentary escape
in a world I don't recognize,
and feel more and more unsafe.
I can’t help but lean in closer,
laser sharp
not to let him outsmart me
with his armament of tricks.
But frankly, happier
if the illusion goes unspoiled
his secrets unjrevealed.
So there can still be mystery in this world
when we know too much
for our own good
. . . or think we do.
And so I can let go
instead of always taking charge.
There was a day
when the guardians of morality
would have denounced this display
as witchcraft and wizardry
the devil’s handiwork.
Would have preached and rabble-roused,
inciting the mob
to burn him at the stake,
or hold his thrashing body
underwater
to see if he drowns.
I’m an avid viewer of Penn and Teller’s Fool Us. It’s an hour of absolute delight and breath-taking skill, imagination, and artistry. Before I discovered this show, I never know that magic these days had become so creative, entertaining, and sophisticated. I remember when Letterman had on as a regular guest a terrible magician, but one who took himself quite seriously: amusing irony (if a little cruel), but lousy magic! Who knew magic had progressed from kids’ parties and lame tricks to brilliant illusions in plush theatres before hundreds of astonished adults.
My favourite is close-up. And I always think that in a more superstitious age (which is most of human history — and I fear seems to be returning, after a brief enlightened interlude) these magicians would have been denounced as witches, and most likely burned at the stake. Or subjected to the perverse logic of forcing underwater: if they survived, they were guilty; and if they drowned, innocent — exonerated, but dead!
Nowadays, though, magic inspires a very different response: wonder, as well as the realization that there is still mystery in this world. Which is why it’s better not to know — despite how much we may want to — how it’s done.
(You can find the show on the (relatively obscure) CW network. There are also plenty of great clips on YouTube.)

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