Piano Movers
Dec 25 2025
I never practiced.
If we are the musical animal
then I am still a savage beast.
(Which was originally breast, but never mind).
I clearly lacked aptitude
let alone passion.
All I recall from those years of lessons
was sitting sullenly in the car
with my overwhelmed mother
utterly unprepared,
my teacher’s barely contained frustration,
and a picture on her wall —
a painting of a racing yacht
with sporty men
hiking out.
How did they do that
what if they slipped?
Clearly, I preferred salt spray in my face
and a steady wind
over a dim stuffy room,
her disapproving glare,
and a dark brown upright
that left me feeling at sea;
its unfathomable expanse
of black and white keys
about to pull me under.
Back then
in an upwardly mobile world
pianos were like furniture
in houses big enough to hold them,
and a child learning to play
was a common aspiration of the middle class.
To expand his notion
of what was possible beyond suburbia?
To make him well-rounded
. . . respectable
. . . ambidextrous?
Or to enable him to entertain
at the drop of a hat
at cocktail parties and piano bars?
The popular kid
whom everyone gathers around.
Needless to say, I can’t.
I did learn to sail, however,
and am proud to say
I can at least navigate the keyboard
well enough
to find middle C.
So while I’d love to be able to plunk out a tune
I know by heart
with nimble hands,
I sadly missed my chance.
And now, you can’t give an old piano away,
must pay someone
to cart it to the dump.
So the piano movers are doing OK,
or at least as long as their backs hold out
and the old instruments last.
But not so much
the middle class.
Music has charms to soothe a savage breast, to soften rocks, or bend a knotted oak.
This well-known quote is often attributed to Shakespeare. That’s what I always thought. But in fact, it comes from William Congreve’s tragedy The Mourning Bride (1697), Act I, Scene I. Either way, I’m impressed anyone can write a line that’s still widely referenced almost 3 1/2 centuries later.
Was breast simply misspelled over the years, eventually dropping the r? Or was it bowdlerized by proper pearl-clutching Victorians: averting their eyes from a scandalous reference to an intimate body part?!!
(Bowdlerize, btw, from the physician and editor Thomas Bowdler who in the late 18th/early 19th centuries prudishly edited Shakespeare to remove profanity, sexual references, and violence. All of which there is more than you’d imagine in the revered playwright’s works. Clearly, Shakespeare knew what it took to put bums in seats in the venerable Globe!)
The painting was real, the singular memory accurate: I didn’t confect this just so I could have fun with the nautical metaphor. The metaphor came after. And really, I can’t even remember the teacher’s name. Just the painting (which clearly impressed me), the feeling (which remains unpleasant), and — of all things! — the street: Aldershot Crescent. Memory, a strange beast indeed!


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