Still Standing
July 29 2022
The barn board was a nice touch.
Wide planks of weathered wood
with a warm patina
of brownish grey.
Each piece was unique,
hand-planed boards
that had warped and shrunk over time;
character
no clever laminate
or faux plastic slab
could reproduce.
Stressed wood
hewn from old growth trees
that grew here for millennia
once.
Rare hardwood
from virgin forest
before the clear-cuts stripped them bare,
densely grained
impressively tough.
While today's trees are bred for speed
and a quick buck;
they grow fast, but spindly,
and cannot be counted on
for the long haul.
This is how to age gracefully, I thought,
outlasting the hardship
of a long eventful life.
To somehow survive
fire and pests
exposure and neglect
the cruel elements.
To stand
companions by your side.
To simply not fall down.
Yet still be beautiful,
but with the gravitas of years.
They don't make them like that anymore.
And seeing the survivors
of the 20th century's only good war
I thought the same.
The bent and crippled backs.
Weathered faces
like the worn leather
of well-worked baseball mitts,
uniform jackets
hanging limply
on shrunken frames.
Shaky canes, in gnarled hands
tightly gripped ,
their bulbous knuckles
unnaturally big
under thin shiny skin.
But still standing
with a fierce light in their eyes.
And beautiful
in their dignified way.
Looking good
against the smooth fresh faces
of the restless school kids
there to pay their respects.
Setting out, I figured this might turn out to be a poem about surviving the vicissitudes of age, as well as our culture's lack of respect for the old.
Or at least a poem about character, uniqueness, and the pricelessness of time's passage.
So the turn it took surprised me as well. And since it strikes me as cheating to whipsaw the reader without any foreshadowing at all — cheating because it has a strong impact, but is a little too easy — my original choice of title perhaps over-compensated and gave too much away: The Greatest Generation. Still Standing, on the other hand, is indeterminate enough to invite a reader in, and also helps tie together the two parts of the poem: the old growth trees, and the tough grizzled veterans.
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