It Must Be Said
July 25 2022
I am not a believer.
Still, there is no denying
that the King James Bible
falls beautifully on the ear.
Some of the words may be arcane,
but its gravitas, mastery, language
are pure poetry.
If the translators took liberties
I can only thank them for it,
honouring their God
by serving beauty over pedantry.
Extreme words like evil,
that to me
sound over-wrought.
As if the world was black and white.
As if the human heart could be
so irredeemably dark.
Or used to sound that way
but no longer does.
Perhaps my mistake
is reading the news
every day
for more decades than I care to mention.
Too many wars
and too much oppression,
even more
short-sighted greed.
No end
of psychopaths and sadists
and predatory men,
and who knew
we'd be witness to genocide
again and again.
So, is evil arcane?
Too extreme
for modern sensibilities?
A word more suited
to the olden days
and Bible times
when the world was a crueller place?
When the Holy Book spoke
in the commanding voice
of judgement and thunder?
If only evil were.
I am wary
of debasing words
through hyperbole and over-use.
Not to mention that restraint
makes the best poetry.
But evil is with us every day
and it must be said.
If only I believed.
If only prayer could help.
If only the divine
could save us from ourselves.
This is what I wrote (in italics below) to my first reader when I sent him the first draft.
I'm including it because I'm still very pleased with this one.
And because I think it's a good example of the attributes I think make a good poem.
Which are certainly not the same for everyone. Or probably most other people. I read a lot of poetry, and long ago recognized that my style is hardly definitive, and I'm sure not to everyone's taste. So my definition of a successful poem might strike others as highly questionable! Nevertheless, I think what counts as success is to achieve what you set out to do, irrespective of some presumed standard.
I know it's a mistake to oversell before you can form your own impression, but (so far) I really love this one. For what it says. For its voice, which I think is very conversational and accessible. And for its first-person authenticity, which I think helps give it a very affecting — almost confessional — intimacy.
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