Too High For Us to Hear
Aug 24 2020
The whale brain
dissected, weighed, compared
suggests that the facility for language
of these ancient mammoth creatures
may be greater than ours.
Across thousands of miles.
Too high for us to hear.
And in musical passages
instead of dry prosaic words.
But converse about what?
Do they gossip and dish?
Do they relate long treasured tales
as old as the sea?
Do mothers coo lullabies
and do lonely males
sing courtship songs,
or try to seduce their quarry
with poetry and verse?
A blue whale
would dwarf the largest dinosaur.
But how big
is her inner life,
how much philosophy
preoccupies her time?
And when we slaughtered them
like miners exhausting the sea,
to how much suffering
were we deaf and blind?
Capturing calves,
then killing the mothers
who rushed to the rescue,
letting their carcasses rot
in the hunter's frenzied greed?
So few remain
patrolling the vast uncharted deeps.
Such a great obscenity,
our disregard
of the natural world
and the life-giving sea,
our insistence
that our blinkered humanity
is the only one of worth.
I chose the title because while we can be communicating at the same time, we might as well be doing so in parallel universes that never intersect. It demonstrates in a very tangible way the difficulty of trying to inhabit an entirely different world view, of the utter inscrutability of another being that might just as well come from an alien planet: a sentient creature that – despite our common mammalian origins – lives undersea, has no hands or written language, and does not build or even imagine such things as technology or cities or captive animals; that lives nomadically, instead of being bound by nation states or ideologies or religious identity, and spends a lifetime in a multi-generational family that is both matriarchal and matrilineal.
From the article What Have We Done to the Whale (New Yorker – Aug 24 2020) by the Oxford philosopher Amia Srinivasan.
https://www.newyorker.com/magazine/2020/08/24/what-have-we-done-to-the-whale
“Scientists know that whale vocalization—the singing of humpbacks, the chattering of belugas, the powerful clicks of sperm whales (at up to two hundred and thirty-six decibels, the loudest animal noise on the planet)—performs an important communicative function. Whales converse, and perhaps commune, at great distances. Songs of humpbacks off Puerto Rico are heard by whales near Newfoundland, two thousand miles away; the songs can “go viral” across the world. Some scientists believe that certain whale languages equal our own in their expressive complexity; the brains of sperm whales are six times larger than ours, and are endowed with more spindle neurons, cells associated with both empathy and speech. Yet no one knows what whales are saying to one another, or what they might be trying to say to us. Noc, a beluga that lived for twenty-two years in captivity as part of a U.S. Navy program, learned to mimic human language so well that one diver mistook Noc’s voice for a colleague’s, and obeyed the whale’s command to get out of the water. A recording of Noc’s voice can be heard online today: nasal and submerged, but also distinctively like English. (Oooow aaare you-ou-ou-ooooo?) At the very least, it’s a better impression of a human’s voice than a human could do of a whale’s.
The whale’s aura lies in its unique synthesis of ineffability and mammality. Whales are enormous and strange. But—in their tight familial bonds, their cultural forms, their incessant chatter—they are also like us. Contained in their mystery is the possibility that they are even more like us than we know: that their inner lives are as sophisticated as our own, perhaps even more so. Indeed, contained in whales is the possibility that the creatures are like humans, only much better: brilliant, gentle, depthful gods of the sea.”
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