Still Life
Aug 5 2020
In the still life
the fruit catches the light just so,
where contrast and shadow
create a fine illusion of depth.
Turgid purple grapes
overflow the big porcelain bowl,
thick-walled
and creamy white.
There are pear-shaped pears,
and heavy peaches
covered in peach-coloured fuzz.
Apples gleam green and red,
while blue-black plums
are as inscrutable
as is always true of plums;
juicy sweet
or tartly dry?
But not as still
as the painter's conceit would have it.
Because only the surface is motionless.
Inside
each piece is rotting, fermenting
ripening relentlessly,
seething with life, and death
and inexorable transformation.
Because in life, there is only motion.
And you would have known this
had you waited a moment
until a hand reached down
and plucked a perfect plum.
Had watched straight white teeth
indent its smooth tight skin,
giving just a little
until breaking in.
Sink into soft purple pulp
until sweet succulent juice
drips down a child's sticky chin
to the unforgiving pit,
which she would toy with her tongue
before rudely spitting-out.
One day, some yeast will land,
and a boozy bird
will sing a garbled song
and dance on wobbly legs
and stagger off somewhere.
One day, the bowl will slip
and shatter into shards
on the hard porcelain tile.
One day, an apple seed
will find its way to soil
and a fine tree will grow.
Will year after year
give gifts of fruit
and drop its leaves in fall.
When the anonymous painter
will have long since departed.
The still life
still adorn its wall.
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