Eyes Front
Dec 9 2024
We sat face-to-face
across the table
like an old couple on date night.
Where we might have played footsie
down out of sight,
two tentative adolescents
suppressing desire.
Where I might have reached across for her hand
despite my sweaty palms
and badly bitten nails.
Where I might have looked dreamily into her eyes,
then broken the silence
with something funny and smart,
triumphantly flushing
when I heard her laugh.
You’d think side-by-side
would make more sense.
Shoulders almost touching,
and the heat of her legs
warming yours.
Her right arm
brushing your left,
before recoiling
as if in shock.
And no eye contact
without turning your head
so you feel freer to talk.
Like that time you sat in the passenger seat
eyes front
and opened up to your dad
in a way you’d never done before;
two taciturn men
who’ve exchanged words here and there,
some affirmative grunts
and noncommittal uh-huhs,
but never really shared.
As if feelings were unmanly.
As if better talk to your mother
could replace a hug.
The deep conversation
that looking back
you’ve never really had
since that day long ago.
But at least the table in-between
kept us safe,
and I could always look away
glance down
or fix on an ear;
look anywhere
but into her eyes.
Although you remember the time you and your friends
all crammed
into the red leather banquet
that curved against the wall
and she ended up beside you.
When the two of you shared a menu,
and you could let the conversation
take care of itself,
flowing over you
as everyone talked at once.
How nice that was, eyes front;
how innocent
yet intimate.
Back when you didn’t even know
if hers were brown or blue
green or grey.
And realize now, still don’t.
How brazen it would seem if, instead of naturally taking the seat across the table, you slid in beside your date. Which is more intimate, as well as more threatening: shoulder to shoulder, or face to face? Actual touch, or eye contact?
And how context changes everything: just the two of you, or a casual free-for-all?
More important, though, this is a poem about notions of intimacy and manliness; about awkward adolescence, and how — even all grown up — the past is always with us.
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