Circles Within Circles
Dec 25 2024
An analogue clock
— with 3 different hands
fat , thin, and middling
circling at different rates,
a clock-face
with precisely spaced numbers
numerals
symbols —
quietly ticking
tells time.
What an elegant compression
of information
conveyed at a glance.
And a horologist’s delight
in its intricate mechanics
of spinning gears
and precisely fitting cogs
packed into a compact body
of stainless steel
polished brass
solid gold.
Except when this choreographed clockwork
of circles within circles,
of symbols
arranged in a ring
like some occult zodiac
of arithmetical signs,
looks utterly baffling
when asked the time.
Is this what awaits us?
Cognitive decline,
so even a simple clock
is not only inscrutable
but seems absurd.
A future of digital time,
until even a day
of hours, minutes, seconds
blinking sequentially
makes no sense.
The end of time,
when you will inhabit the moment,
live in the past,
or simply find yourself unmoored
adrift
oblivious.
Odd, when kids today
can’t read a clock,
were never taught
to tell time.
Of course, this isn’t creeping dementia
it’s merely expedient.
But still
something is surely missing
when you can’t hold it in your hand.
Can’t marvel
at its elegance
complexity
containment.
Can’t feel the heft
of time made material
and a craftsman’s expert care.
It was when I first saw someone with dementia look at an analogue clock-face with utter bafflement that I felt the horror of losing your mind while still having insight. The awareness that you once could and still should be able to do this simple thing, but with so much going on and all of it so impenetrable you felt utterly overwhelmed.
That I saw how we take for granted our understanding of things that are actually quite complex: after all, who knew you once had to be initiated into the occult practice of reading a clock; that this was a skill that was not self-evident but actually had to be taught!
And that I truly appreciated the elegance of analogue time and mechanical clocks.
This poem also speaks to a certain nostalgia for the material in a world that is increasingly a digital and virtual black box.
For craftsmanship and mastery in a world of swiping and button pushing.
And for connection of cause and effect in a world where everything is electronically mediated, so that action is increasingly detached from the outcome.
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