Live for Today
Dec 22 2021
The tattooed man
embellished himself
with the story of his life;
a little unconventional, perhaps
but understandable,
because don't we all desire to be known,
and better still
admired.
Although fully clothed, he was an enigma,
his unassuming face, unmarked,
the extravagantly inscribed body
concealed inside.
As we are all essentially unknowable,
the secrets of the heart
our hidden inner lives.
As if his private self
and his need to be seen
were at war,
social convention
and self-expression
battling it out.
But he was not an exhibitionist, thrilled by attention.
He was a meticulous historian
documenting a life.
Perhaps counting
on leaving a record behind,
as we all hope posterity
will somehow remember us.
But must have been in denial
about endings and loss.
How flesh
inexorably decomposes.
How bone
is subsumed by soil
before turning to dust.
But neither does canvas last,
and parchment
deteriorates even faster.
Even a granite slab
with its angels and epitaph
and elaborate decoration
is hardly eternal,
no matter how indestructible
solid rock seems.
But he surely knew all that.
Because live for today, he often exclaimed
punching a fist in the air.
And because he had a drunken tattoo
on one illuminated arm,
often rolling up his sleeves
for all to see
the hell with how he's judged.
I read an obituary about a man who died young, but in that relatively short time led a full, wild, extravagant life. A man of appetite and intemperance. What really caught my eye, though, was the description of his body being fully tattooed — which says as much, if not more. Curiously, though, in the accompanying photograph, his face was completely unmarked: the neck is clearly the dividing line between self-expression and polite company. All this gave me a good opening line — the tattooed man — and from there, the poem wrote itself.
I struggled most with the closing stanza, which I most often find the hardest. And in the end over illuminated, when I could have instead called-back with well-embellished, or gone with “adorned”, “garlanded”, “garnished”, “kaleidoscopic”, multi-coloured”, “intricated”, “densely covered” and any number of other choices. But illuminated stood out: I like the religious connotation, which suggests that his illustrations are more meaningful than merely decorative. And I like the radiance implied by the word: bright, colourful, emitting light. And I like the complexity of meaning, because illumination can also mean an explanation, the acquisition of knowledge, a revelation.
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