Monday, May 7, 2012


A Thin Emulsion of Light
May 7 2012


I am looking at snapshots
taken on our old Brownie camera.
They have softened, over time
into grey, and dirty white.
And Kodachrome slides
with primary colours
not found in nature.

These images are not autobiographical
evoke no nostalgia.
Yet their power
is undeniable.
Does it lie in unflinching reality,
a moment in time, precisely captured?
Or is it the impossibility
of the still photograph
I find so compelling?

Because we never experience life
this way.
A frozen moment
that can be scrutinized, interrogated
replayed.
In which the tiny details, the marginalia
have equal weight,
the background, and periphery
we rarely see
or notice.
In which serendipity, and fate
hold sway,
what would have been missed
had the shutter not clicked
that moment.

If only pictures
could be trusted.
If only the black arts
of the dark room
did not make me suspect.
But there is no photographic truth.
Pictures are as fallible
as human memory.

Still, I can’t help but be overwhelmed
by their timelessness.
Challenging the lens
or avoiding its gaze,
candid, or posing stiffly,
these subjects have the weight of permanence,
a dignity, and gravitas
you miss
in real life.

A thin emulsion of light
that is hyper-real, and false
all at once.
Inscrutable faces
that will mutely remain
forever young.

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