Beyond Me
May 18 2025
In the long run.
Our children grow old
and no one remembers.
Our descendants live
in either utopian bliss
or the hell-hole we’ve left them,
because what story is there
in middling contentment?
While the continents keep drifting
oceans shift
and the planet spins
a tiny bit slower
each passing day.
Or we muddle through
and life goes on,
neither catastrophic
nor futuristic
as the predictors insist.
At least until the sun
devours the earth.
Trouble is
I’m not built for marathons
my body doesn't fit;
the long run
is beyond me
gritty or not.
Middle distance?
Short sprints?
A leisurely stroll?
Or just running in place
at a steady pace
like a hamster on its wheel?
Because it hurts my head
imagining all that might happen
no matter the odds.
Because a mere human mind
cannot comprehend
the vastness of time.
And because foretelling the future
is for charlatans and quacks
posing as seers.
Who know that in the long run
anything's possible,
and who will be left
to prove them wrong?
Ultimately, though
muscles cramp, bones thin,
the body wastes
consuming itself,
and if the brain doesn't fail
it's too confused to finish.
No one wins the race,
but we all run
for as long as we can
just in case.
Economists especially like to talk about the short and medium run: predicting employment, interest rates, and all the usual tedious measurements no one will remember or hold them to. They even presume to opine about the long run. But as the erudite economist John Maynard Keynes famously quipped, “In the long run we’re all dead”; which is the only thing about the distant future one can truly say.
And I would have said it as well, except that I'm very self-conscious how much I write about death. So instead of a 3 line poem — Our children grow old / no one remembers / and everyone’s dead — the last line becomes 9 long stanzas! And even at the end, the word “death” never appears: the concept is only there by implication
As with many poems I’ve written, this one is based on reading a metaphor as if it was meant to read literally, then playing around with both. Which keeps seeming clever to me, but probably isn’t! Perhaps it’s just something I can’t help: I pay too much attention to the nuance of language, the layers, connotations and subtle distinctions. Fun for me, but probably annoying to everyone else!

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