Saturday, April 13, 2024

Busking on the Underground - April 10 2024

 

Busking on the Underground

April 10 2024


People hurry past the street musician

catching snatches of her song;

but too distracted

by busy lives

and too little time

to stop and drop some change

in the battered case

open at her feet.

By the express line

screeching to a halt

and thrumming on the track

where it won’t wait for long.


She plays beautifully

her singing’s angelic.

And if I could only carry a tune

I’d be tempted to sing along.


But instead, I stand in the shadows

immersed in her sound.

Moved

by her powerful voice,

the words

so perfectly matched to the notes

it feels as if the song

has always been there

and couldn’t be anything but;

as inevitable

as the sun around the earth.


While also moved

by her doggedness.

Is she so desperately impoverished

that even this meagre haul

is worth the hard work,

the indifference

hour after hour?

Or could she be an optimist,

waiting for that single act

of great generosity

that will make it all worthwhile?

Or perhaps

she’s simply in love with her art,

the purity

of art for art’s sake.


After a couple of songs

and running unconscionably late

I toss in a 10 dollar bill.

The cost

of half an hour

parking downtown,

a fancy coffee

from some snotty barista

served in a paper cup.


I leave feeling good;

moral support

for a struggling musician,

a patron of the arts

getting more than he’s been given.


Paper money

in exchange for safe harbour

on a secluded island

in a furious sea;

this torrent of people

too harried to notice,

too self-absorbed

to look up from their phones.


Beautiful songs

I’d never sing in public,

and even alone

could never do justice to;

but remain with me

long after I’ve left

that bustling underground.


Where she sings for spare change,

and on a good day

a small round of applause

from the few who stop to hear.


This poem didn’t start with the busker, it started with the idea contained in the 3rd stanza: the feeling of inevitability you get when listening to the combination of words and music in classic songs. By which I don’t mean classic rock; I mean the standards of the so-called Great American Songbook. Music that even though it isn’t widely popular anymore — appreciated, yes; but not much listened to — will endure.

I for one love those songs. But then, I’m an anachronism: born decades too late.

This idea of inevitability came to me when I imagined myself one of those clever lyricists of that golden age (arguably, a kind of poetry) being presented with an instrumental composition anchored in nothing but sound. And then somehow completing the song in a way that makes it impossible to tell which came first, the music or the words: so perfect a match it’s impossible to imagine it coming out any other way.

Here are a few of those standards. Listen, and then see if you agree.

https://youtu.be/cy63JBQGPDg?si=2fhU9JK9lKMwjdvF

https://youtu.be/dyvkG5F91DU?si=jrS8OVOwau5uqRSZ

https://youtu.be/jnb6dXOSt0s?si=x2EXGRUFoDg5idcT


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