A Simple
Haiku
April 11 2021
The
Chinese philosopher urged
“to attain
wisdom
subtract
things every day.”
And the
famous sculptor taught
that
perfection is attained
“when
nothing is left
to take
away.”
The Haiku.
A blade of
grass.
The
perfect note
that
breaks a glass.
The
drowning man's
singular
perception.
Ascetic
monks
and silent
vows,
the simple
life
distilled
down to its essence.
So less is
more.
The
inverted arithmetic
of
addition by subtraction.
Yet all my
layers
and
complications
and
fervent angst.
If only I
could still my mind
if even
for a moment.
Could
prune and pare and hone
these
conflicting thoughts
overwrought
emotion
to a
3-line poem,
essential
words
I would
learn by heart.
A simple
Haiku
devoted to
you
and
whispered into your ear.
I was reading this article today on how we shouldn't be so anxious to get back to normal after the Covid pandemic. That some things have been lost, but perhaps some we're better off without. That maybe this is a chance to discover that less can be more. And, of course, this dovetails perfectly with what I've found in trying my hand at poetry all these years: less really is more. (Except when it isn't!) What I really liked in the article were the two quotes that begin this poem. So I stole those, and wrote on from there.
The first is apparently Lao Tzu. And the second attributed to Leonardo da Vinci.
Now, as to the breaking glass. There is a famous commercial for Memorex audio tape that dates from the 1970s. They had the jazz great Ella Fitzgerald sing a note so purely and powerfully that with just her voice she could shatter a wine glass. Then, to demonstrate the fidelity of the recording, they played her back on tape and a new glass shattered just the same. The tag line became a bit of a popular saying: “Is it live, or is it Memorex?” I tried to find the particular note that breaks glass. Apparently, there is no single one. It depends on the glass. And as to Ella's demonstration, I couldn't find a mention of the note she hit. So in the poem, it is simply the perfect note.
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