Old Friends
Oct 29 2019
Old
friends
you
haven't seen in years
surprise
you, how fast they've aged.
But
still, there is no mistaking them.
The
human brain is uncanny at this,
the
flash of recognition
that
maps the space between the eyes
those
sternly narrowed lips
that
nose you couldn't miss.
The
trajectory of life
once
set in motion
propels
you further and further apart,
but
just a minute's reminiscing
and
you are rocketed swiftly back
to
the youthful shenanigans
the
two of you once shared.
Odd,
though, how memories diverge.
How
the past
is
neither singular, nor fixed
but
repeatedly transformed,
the
alchemy of forgetting
selective
recall,
those
convenient truths
our
unconscious concocts.
In
a few more minutes
the
two old friends will part.
You,
shaking your head
at
how the years have aged him,
at
the thing that seemed so meaningful
he
somehow completely forgot.
Wondering
did
it really happen that way
even
happen at all?
How
slippery is the past
how
pointless rumination.
The
rose-coloured glow of nostalgia,
the
long accustomed weight
that
persists in dragging you down.
You
look in a mirror
and
a familiar face looks back,
the
younger man
you
can still discern
in
its fleshiness and jowls
that
see-saw keloid scar.
Because
you never forget
a
face
even
if you can't quite place him,
or
wonder just how well
you
really knew the man.
This
poem started with a vague notion to write about facial recognition:
that brilliant unconscious process that is one of the great triumphs
of the human brain. Not just the brain's facility at processing
complicated information, but what the resources it devotes to facial
recognition tell us about ourselves as social animals. I'm terrible
at names, embarrassingly so; but I seem to always remember a face.
But
from that starting point, my approach was very different. First,
writing directly on the keyboard, instead of my usual cheap Bic pen
on blank white paper. And second, writing in an almost stream of
consciousness fashion that felt even more than usual like automatic
writing, or taking dictation. That is, not thinking ahead, not
planning. And, to lead me to the next line, not so much following the
train of thought as surrendering to the sound and cadence of the
language. So I'm very pleased not only that it came out so
coherently, but at the relatively prosaic conversational tone of the
piece: which, oddly, is something I always strive for, but very
rarely achieve.
So
it ended up being a poem about imperfect remembering, the toxic
impulse of nostalgia, the angst of growing old, and the complexity of
who we become with age; that is, the interplay and superposition of
all our past selves.