Driving Into the Sun
Driving into the sun
the windshield scatters light.
Each imperfection in glass
is illuminated,
scratched, chipped, smeared
where the wipers skipped,
tiny pits
refracting rainbows.
Squinting hard
I flip the visor, tighten my grip;
the white line
slipping invisibly by.
When into shadow, just as quick
the world comes clear,
the sheet of glass
immaterial.
Cutting into dusk
smooth as buffed and tapered steel.
Enclosing me
in its calm interior.
Bathed
in the dashboard glow
of cool blues, ghostly greens.
Asphalt, glistening black.
The fizz of rain, wipers slap,
radio
cooing jazz.
I like the movement between sight
and sound.
I like the hermetic feel of the
car's interior: the slick windshield and sound-deadening material; the slightly
hypnotic feel.
If this were a movie, it would be a
cliché: the usual downtown street after dark, with the rain-slick pavement
reflecting the light of store-fronts and passing cars.
A close reading might raise the
question of how the scene so suddenly -- and fortuitously -- turns from sun to
rain. A sun shower? break in the weather? The setting sun, peeking out in the
distance where the cloud doesn't quite meet the horizon? My answer is
"poetic license". It's poetry, after all, so the normal rules of
story-telling don't strictly apply. Very different from narrative, I'm more
interested in imagery and sound than logic and plot.
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