Personal Effects
May 13 2011
The air in the house
sits motionless,
as if heavier than the air outside.
As settled, and dense
as a body of water
left undisturbed.
So the dust has silted out
in a fine even layer,
and there’s that closed-in stuffiness
that makes you wary
of every breathe.
The scent of darkly polished wood.
Of musty clothes
and papers, decomposing.
Years of home cooking
that infuse the place.
And the door, creaking open
the expanding fan of light,
sending ripples of air
into every corner,
disrupting the stillness.
Like a stone
unexpectedly dropped.
Not that she was a hoarder
scarred by scarcity, or fear
— no Armageddon, or apocalypse,
but the Great Depression
had left its mark.
Most of all, she had an eye for a bargain
and one-of-a-kind.
And for frugal treasures,
she was sure
would be of use
some day.
You cannot dispose of a house
like a human body,
by cremation
man-made fire.
It must be done methodically,
dissected
taken apart.
The public face, the private parts,
The public face, the private parts,
no matter how embarrassing.
An autopsy
An autopsy
unofficial, ad hoc,
not into the cause of death
but a life, well-lived.
When everything disposed
is an act of disrespect.
And memories are stirred up like dust,
resurrected, then laid to rest
in flagrant acts
of forgetfulness.
She knew none of us
would want this stuff
she had spent a lifetime
collecting.
This was her personal journey
and now she was done,
never expecting to have ended up
anywhere
but here.
The house was eventually sold
for a tidy sum
to a young attractive couple,
besotted with each other.
Just starting out
with next to nothing at all.
We unstuck the windows
wedged open every door
before the deal finally closed.
But the smell of pot roast and onions
stubbornly persists,
in the paint, the hardwood
the varnish finish,
going dark with age.
And although the house
had been aired and gutted,
the scent of lavender, however subtle
clings to its skin.
Which I think would please her.
Because she liked to keep things,
and kept them well.
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