Spider
Feb 9 2021
The cobweb
flexes with the wind,
suspended
on clever gossamer threads
that elastically stretch
from the thin green branches
that tether it down.
Spider silk
spun at will
and preposterously strong.
It walks on water
like impenetrable glass.
Then raises two legs
and sails across the shallow pond,
as if the mirrored surface
were frictionless.
Or casts a strand to the air,
surrendering to the wind
as it takes flight.
Gravity does not apply
if you're small enough.
And the fantastic silk thread
seems to defy physical law,
the tensile strength
of the thinnest strand
stronger than steel.
But in a cool dawn
when the wind is still and the spider at rest
the web is bejewelled,
tiny perfect drops of dew
clinging to its mesh
refracting every colour possible.
Beauty, as well as strength.
And the alchemy of size
that allows an insubstantial spider
to slip between the elements.
Never touching earth.
Walking on water
and rising through air.
Playing with the fire
of light.
Some baby spiders are known to sail through the air on strands of silk. In the poem, I have an adult doing the same, which I imagine is at best improbable. But I've seen video of a spider using its legs like this in order to skitter across the still surface of a pond. And the remarkable properties of spider silk are well recognized.
Spider silk demonstrates the cleverness of nature. Incredibly strong, yet light and elastic. And while our industrial processes heat, beat, and treat at great cost in energy and resources, nature somehow manufactures this brilliant substance at room temperature from materials at hand in the tiny organelles of this small animal.
The poem really turns, though, on is this idea of size: how when you live at a different order of magnitude, the world makes a totally different kind of sense. And, by extension, how what we take as inviolable laws – that we fall through water and are heavier than air – are not at all. (Of course, gravity only stops acting at the subatomic level. Even small spiders are not exempt. So I was tempted, in the interest of accuracy, to change that line to gravity seems not to apply. But I find definitive statements work better in poetry. While “seems” strikes me as a weasel word, too namby-pamby to have the impact a line of poetry needs.)
This is another poem of the sort I seem to favour: poems of microcosm, close observation, and taking a moment in time; of lyric poems grounded in nature. And even though they scare many people, I find spiders both compelling and admirable.
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