Virgin
Tracks
Jan
4 2020
Returning
home
in
the early hours of morning
after
the storm had finally passed
there
was no traffic
on
the freshly plowed road,
making
virgin tracks
through
the even layer
of
thin granular snow.
The
banks sloped-up sharply
on
either side
forming
perfectly symmetrical walls,
pristine
white
in
the stark glare of my lights.
I
felt as if enclosed
in
a neatly carved tunnel;
a
slot-car, tethered to its track,
steering
through its winding curves
climbing
and descending.
Not
only protected,
but
like the last man left
in
an immaculate world
of
muffled sound
reassuring
order.
The
subdued light of the dash.
The
heater hum, its lulling warmth.
And
soft jazz, going in and out, as I headed further north,
flirting
with the strength
of
a distant transmitter
at
the far end of its range.
So
soon
just
the white noise of static,
then
dead air
and
the crunch of tires on snow.
As
if leaving civilization.
As
if the car was driving itself.
Heading
deep into winter,
the
end of the last road north.
As
I drove into town this evening and then returned later tonight, I was
admiring the perfect symmetry and virgin whiteness of the freshly
plowed road, illuminated in my headlights. It's a curvy 2-lane
country road, and I encountered no other vehicles. The banks were
high and even, the surface a thin white layer: that slightly more
grippy granular snow the plow leaves behind. I had a feeling of being
enclosed: like a slot car, tethered to its tightly winding track.
The scene was both beautiful and peaceful, and I thought there might
be a poem in it. Then promptly forgot about the idea until I sat down
at the computer (one last check of email before shutting down) and
decided to take a few minutes and noodle around. Another one written
on the keyboard instead of by hand. If that makes a difference. I'm
no longer so sure it does.
Instead
of jazz, I was listening to NPR's Fresh Air. Or trying to:
I'm as far north as the signal goes, just on its outer edge, so it
was in and out. I'm glad I remembered this. Because that feeling of
distance and marginality is what gave me the ending.
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