Brothers in Arms
Nov 15 2019
I
cannot help but admire
nature's
frugality,
her
minimalist beauty
clever
thrift.
Over
so many eons
what
she has conserved
or
wisely re-purposed.
How
the same molecule
that
releases mother's milk
also
floods her with love,
as
the nursing mom
holds
her babe-in-arms
in
her fierce protective gaze.
The
same drug
that
causes men to bond.
Brothers
in arms
heading-off
to war,
as,
it seems, we have repeatedly done
since
time immemorial.
The
human brain,
suspended
in
the sovereign splendor
of
its locked black box,
bathed
in a chemical broth
of
hormones and transmitters.
Like
a touchy twitchy druggie
seeking
its fix.
So
I wonder about free will.
That
despite our conceit of agency
we
are mere instruments
of
instinct, survival
desire,
marionettes
summoned to dance
by
puppet-master genes.
As
oxytocin, the hormone of love
dictates
belonging, attachment
the
painful contractions
of
our passage from womb to world.
As
adrenaline, coursing through our veins
mediates
rage
and
renders pain oblivious.
Enables
the racing heart
the
clotting of blood,
the
sweat-blinded aim
of
scattershot guns.
Freeze,
fight, escape
it
silently screams;
dehumanizing
them
while
privileging us.
Nature
is frugal; nature conserves. So the same hormones we find in
ourselves are also identically found in mice and moths and
bottom-feeding fish. We delude ourselves with the conceit of human
exceptionalism. But in many fundamental ways, we are hardly
exceptional.
A
gene does not map one-to-one onto a specific trait. Genes function in
combination, so a length of DNA can serve multiple purposes:
turned on and off by epigenetic effects; brought into critical
proximity to other activated stretches by the tertiary structure –
the folding and unfolding – of DNA. This is another example of
nature's frugality. And, similarly, how a chemical conserved across
species can be conscripted to multiple functions within the same
species.
In
this regard, oxytocin comes to mind. I am struck by how much of human
behaviour is driven by belonging and attachment. And how the same
hormone that incites a mother's love also drives the sense of
belonging, identity, and reciprocal obligation that enables men to
commit war. Because without those deep abiding bonds – the brothers
in arms, the camaraderie and fellow feeling – who would fight or
risk his life for some abstract cause? And, of course, essential to
this psychology is exactly what the final lines say: how necessary
it is to demonize and dehumanize the enemy in order to kill; and, conversely, how
we somehow delude ourselves into seeing our allies and comrades in
only the best light.
There
are a couple of recurring tropes here that will be familiar to my
readers (and probably strike most of them as tiresome!) There is the
questioning of free will. There is a strain of misanthropy. There is
the nature of perception: the brain, residing in what amounts to its
own virtual-reality world. And there is the levelling down of man:
not man, in all his abiding hubris, against nature and subduing her;
but man as part of nature, or – even more so – subject to her
power and whim.
This
was a challenging poem to write. First, because it gets a little
technical, and physiology is not exactly conducive to good poetry.
And second, because it's another of those philosophical poems, which
always risk coming off as plodding, or pretentious, or bloodless. I
can only hope it does none of those things.
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