Lights All Year Long
Feb 14 2026
The stubborn holdouts
and proud contrarians
have kept their Christmas lights up
for an extra few months
at least.
I’m not sure if this looks festive, neglectful, or sad.
Are they good citizens
-- in the gloom of winter
lighting the way?
Are they hopeless nostalgics,
clinging to a past
they can’t let go?
Or are they inexcusably lazy;
indolent by nature,
procrastinators,
or simply overwhelmed?
——-
The string of dusty lights
drooping sadly
above the wedding chapel door
looks like an afterthought.
They are the old fashioned kind —
clunky incandescents
on a scraggly black wire.
So they aren’t so much welcoming
as tired,
and unlikely to inspire faith
in the sacrament of marriage
or everlasting bliss.
Nothing seems festive here.
The wedding march
is on an old cassette
plugged into a boombox.
The mementos are snapshots
on Polaroid.
And the officiant
is a suspicious looking character
in a shabby black robe
with an oleaginous smile.
——-
The neon lights flash, pulse, cascade.
They are blinding, frenetic, and light up the sky,
competing for attention
and, unlike our eyes
never needing any rest.
They are visual noise,
as deafening
as heavy metal,
and like any sound
there’s no turning away.
As insidious
as tiny bits of glitter
that end up everywhere,
omnipresent
in the gambling mecca
where fortunes are made
and secrets stay
or so we’re told.
——-
It isn’t a long walk
out to desert
on a dark and cool night.
No neon here,
just the stars
filling an ebony sky
out to the horizon.
And the longer I look
improbable as it is
even more keep appearing,
until, looking up
it seems more light than dark.
This may be the closest we get
to imagining infinity,
a notion
of no practical use
in our quotidian lives,
and that our ancestors
out on the savanna
never needed to survive
or tweaked their brains to master.
——
Infinity
and permanence.
It’s as if Christmas was all year long,
and we always were as kind and giving
as the preachers insist.
As if marriage never ended
and we meant it when we said
until death do us part;
the constancy was expected
not just hoping for the best.
And as if there were sure things.
That you could gamble your way to success
when the vast majority lose.
And that wealth equalled happiness,
and happily-ever-after
— or really, any ever-after —
could actually come true.
——-
It gets cold in the desert after dark
so I reluctantly turned
and headed back to the neon glare.
But there are still stars out there, as far as I know
filling the sky
whether I’m watching or not.
And I can’t help wondering
if I looked long and hard
could I count high enough?
Knowing
that even after the sun comes up
the stars are still there,
multiplying
beyond imagining
every minute that goes by.
I began this poem with an image of that one house on the street that still has its Christmas lights up. Seemed a promising thing to riff on.
But then this memory of a short podcast I recently listened to hovered over it. (Click on the link below.) My immediate impression of this wedding chapel in a pawn shop was of a sad place for losers. But then the genuine idealism of its proprietor and sole officiant made its unselfconscious modesty seem more legitimate than those big glitzy weddings that are all about showing off. The people who choose this odd place to get married are being totally sincere, not at all ironic.
And then another image of light came to me: a shot of the neon lights of Macau (which I initially took to be Las Vegas) from the movie Ballad of a Small Player.
So strings of lights led to more light, and the poem took shape as a rumination on both permanence and infinity: from Christmas all year, indissoluble marriages, and supposed sure things; to stars that are always there whether we see them or not. … And even more stars the longer we look.

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