The Boring Parts
Oct 25 2025
If memory worked like film
— documenting
second by second
exact reality —
I’d likely slip out
during one of the boring parts
and kill time ‘til the end.
Maybe hang out in the lobby
flirting with the popcorn girl
as the muffled sound
rumbles through the walls.
Because it was better in my head;
like the book they based the movie on
you already read
always is.
What celluloid would record
if memory was photographic,
as opposed to the stories we tell
the sense we make.
Because time changes things.
Stuff gets made up
events conflate.
Retrospect colours,
retelling retouches,
and forgetting airbrushes
out the painful stuff
or plain embarrassing.
And in the end
who knows what’s made up
and what’s for real.
Yet it’s the film
that would feel like fiction.
Because it couldn’t have happened like that.
Not how I remember it.
I would never have said
or done.
Or would I?
Was the lobby empty,
did I stay in my seat,
was it even a theatre
or on TV?
And please, don’t tell me how it ends.
When the last remaining copy
flaws and all
will be lost for good.
I’ve often talked about the unreliability of memory. The science confirms this: every time a memory is called up, it gets revised. This new memory is influenced by mood, emotion, physical pain, recent experience, denial, embellishment, and the need to either believe or disbelieve.
Memories fade. Memory cuts out the boring parts. Memory is not photographic, it’s an attempt to make sense of things.
Memory has been crafted by evolution not to be an objective documentarian, but to serve survival.

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