Talking in Monologues
Jan 14 2025
We correspond.
Exchange emails
talk in monologues.
We are like stringers overseas
— locals, who know the place —
shaping stories
for the folks at home.
Or the foreign correspondent
living a glamorous life
in exotic capitals
and fantastic Shangri-Las,
in war zones
that are both deadly
and cinematic.
Which sounds like fun
when you're standing on the bus
at 6 in the morning
commuting to work.
As if reinventing ourselves
won't be noticed.
Because language can be honed, shaped, buffed,
while face-to-face
we mumble, stumble, bite our tongues,
show up
with shirts untucked
flies undone,
the bad haircut
you gave yourself.
And if not reinvention
then reduction
— distilling ourselves into words;
flesh and blood
reduced to abstract thought.
Which, while a little glib
and disagreeably cool
can also be vulnerable.
Because there’s an intimacy
to the written word;
it’s a way to let them in,
a license
to reveal the things
you can’t so easily speak.
And paradoxically
print can be a fortress, as well;
you can hide in it,
or from behind its walls
let loose your own boiling oil.
Our epistolary relationship,
conveniently sanitized
of human frailty.
Because the written word is not just easy
it’s comfortable;
no need
to disrupt your routine,
no risk
you’ll actually meet
and disappoint the reader.
Too bad they’re also slippery
artful
bloodless.
That it’s so easy to deceive with them.
And then start to believe
the truths you’ve fudged
the lies you’ve told yourself.
Kind of inspired by social media, where most people present a carefully curated image: an ideal life led by a hypothetical self.
But also inspired by the back and forth emails between me and with my first reader: conducted pretty much through only the written word.
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