Some Don’t
Jan 11 2025
That you can feel unloved
yet still have been.
That you can have a happy childhood
yet have been an unhappy child.
That you can hate
but feel unworthy,
as if such a daunting word
overpowered your petty concerns.
And doesn’t “dislike” work well enough
for someone like you?
Perhaps your trouble
was a failure to surrender.
That you held yourself
at a distance;
never quite committing,
looking in at the world
nose-to-glass.
And consider love
in all of its valences,
of which romantic love
is merely one.
… And often too transient
to really count on.
Children, of course, grow up.
Although some don’t,
emerging damaged or stunted
or simply stuck,
arrested
at some early stage;
a caterpillar, trapped in its pupa
in some in-between state,
a man-child
without the cuteness.
Perhaps it’s conviction I’m lacking.
Because it takes passion to hate
while I tend to waver;
too ambivalent
too conflict averse.
And given to forgiveness
(even if forgetting can wait).
Not myself, of course;
I’m a hanging judge
when it comes to my own offences.
Self-love?
Not a chance,
not to mention too incestuous.
No surrender here.
You’ll find this quite a departure from my usual style. Less linear. Less narrative. More risky. More space for the reader.
I think the gate-keepers of academic poetry prefer this type of poem. Which, being a prose writer at heart, doesn’t come easily to me. That is, putting the left side of my brain on hold while giving the right side free rein.
Another poem that suddenly shifts; here, from second person to first. Never sure how well this works. Is it confusing? Cheating? Grammatically unacceptable? (Even though anything goes in poetry, my inner pedant squirms uncomfortably when I take such liberties!)
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