Aftermath
May 25 2021
You can smell the smoke
where lightning hit the tree,
a ragged scar
of charred black bark
defacing the trunk.
And the frightened dogs
who cowered in the thunder
are still kind of jumpy
and hovering close.
The lights flicker
the sky darkens
a cold wind picks up.
I can feel the hair on my arms bristle,
as if my DNA
connected me to weather
in some atavistic way,
despite the distance we keep
from nature.
The atmosphere is charged
and I can feel the pent-up power,
the urgent need
for release.
And then, when it's done, the relief.
How, on a muggy summer day
a storm clears the air.
And leaves us feeling humble
and small.
At nature's indifference
and overwhelming power.
At the contingency of life,
whether by flash flood or blow-down
lightning or hail.
I take a deep breath
of the cool dry air.
There is a clarity to things
in this limpid light,
the grass greener
the sky a blue transparent lens.
And the smouldering tree
that by all rights should be dead
has survived,
its freshly rinsed leaves
incandescently bright.
We are on the periphery of a summer storm, as if it's flirting with us. I stepped outside, under a darkening sky in the swirling wind, and I could feel the excitement: the power of weather; the transgressive sense of danger; and the smugness of our illusion of safety. It made me want to write about a lightning storm, but I didn't want to simply describe it: too uninteresting and old-hat to the reader; too susceptible to cliché. So I thought I'd bracket it instead: the before and the after.
With generous poetic licence, of course! Because no lightning hit a tree. And because my dogs aren't fazed by anything.
I emailed the first draft of this poem to a friend. Here's part of how I introduced it. I'm including this because it succinctly describes what I'm often trying to do in my poetry, and therefore how I measure my success. And this poem is as good an example as any of how this works.
It betrays my usual tendency toward descriptive lyrical poetry.
So the challenge for me, in order to engage the reader and make his/her commitment worthwhile, is to make the poem both bigger and smaller than that: that is, to not only somehow personalize it and inject emotion, but to go from the small -- close observation and microcosm -- to the large -- some philosophical musing or greater truth.
No comments:
Post a Comment