Human Remains
Dec 18 2020
I remember scattering the ashes.
Except they didn't scatter.
There were the tiny fragments of bone
that unceremoniously fell
from my out-stretched hand.
The dark gritty sand
which was coarser than expected,
and heavier than the wind
so it landed in clumps.
And then the fine grey stuff
that was more airy than I'd envisioned,
blowing back at me
in the fitful breeze
and coating my arm
in its sticky white substance.
So a parting ritual
that should have been reverent and reflective
was hardly that.
I can thinking of nothing more intimate
than touching with your bare hand
the last remnants of someone you loved,
then closing your grip
and holding tight.
But human remains
are nothing more than chemistry;
it's memory
where lived lives are kept.
And it's not the scattering
that actually matters,
but the knowing
that when the end comes
they will honour your wish.
That you will be returned to the forest
the sea
the mountain top
and spend eternity there,
a part of nature, the cycle of life,
from birth to death
and back again.
They calculate
that the stuff of a human body
would cost no more than 200 dollars
in its elemental form.
Which is all these ashes are,
a roaring fire
once the fuel is exhausted
and the flame goes out.
So stir the ashes, when they're still warm.
Then let them smoulder
in the blackened pit
until even the ground is cold;
a dark scar
in the forest floor
in a small sunlit clearing,
where a sapling will soon appear
and a tree eventually grow.
I was listening to a Radiolab episode ( https://www.wnycstudios.org/podcasts/radiolab/articles/ashes-lawn ) about an AIDs demonstration in the early 90s in which protesters breached a perimeter of mounted police surrounding the White House and threw the ashes of their loved ones over the fence. It reminded me of that hilarious scene in The Big Lebowski where John Goodman's character – the very self-serious Walter Sobchak – tries scattering Donny's ashes in a strong wind. So while I apologize for writing another poem on the theme of death, it came about not out of morbid preoccupation but rather from an unintended encounter in daily life.
I had always imagined human remains post-cremation were like wood ash after a fire: relatively uniform, flaky, light. But apparently they aren't. I've never scattered ashes, so I googled to check my accuracy.
Humans have always had valued rituals around death. But I'm not particular what happens to the inanimate stuff of my dead body. After all, as the poem says, it's merely chemistry. Although, since we still need to be disposed of in some way or other, I would much prefer an environmental burial: in my case, an unembalmed body in a simple shroud placed in a shallow grave at the foot of a tree. If cremation is necessary, then the same for my ashes.
You can find many estimates for the elemental value of a human body. If, instead, you use the black market price of its organs, then this number would be substantially higher. And then, of course, it will change with markets and inflation. But the first estimate I came across on Google was $160.00 (although inflation may have made it higher since it was originally set), and since “no more than 200 dollars” worked nicely in the poem, I kept it. Whatever the number, the point is clear: as a chemistry set, the body isn't worth much! But then, even though an important part of our sense of self comes from being embodied, we are not our bodies; we are minds and souls.
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