Hand to Mouth
June 7 2020
Blueberries
in
a white ceramic bowl,
a
silver spoon
to
scoop them out.
From
forest to table
hand
to mouth.
Still
warm
in
the late August sun
where
they've been ripening all summer.
They
are easy picking
this
late in the season,
raking
loosely spread hands
through
small green leaves.
From
the low bush
where
they grew untended,
in
sandy soil
in
this northern forest
scorched
by fire.
Before
the bears gorge.
Before
they shrink
in
the desiccating heat
that
will concentrate their sweetness
but
leave them small and dry.
Before
wild yeast
raining
out of insubstantial air
ferment
the over-ripe fruit
and
turn them potent.
Still
plump and firm.
Still
bluish-purple
with
a blush of white.
Smaller
than commercial berries
and
more variously sized.
No
need to wash
wild
fruit
we've
picked ourselves.
No
need to wait
for
the fancy bowl
or
fussy spoon.
No
cold fresh cream
or
adventurous pairing.
We,
too, gorge like bears,
as
if preparing for winter
and
just as unmannerly.
With
discoloured lips
and
purple-stained hands,
bits
of skin
between
our teeth
to
worry with our tongues.
I
really admired and enjoyed this poem, by Maxine Kumin. It came to me
via the Writers Almanac newsletter, which is curated by
Garrison Keillor and arrives daily in my inbox.
Appetite
by Maxine Kumin
I eat these
wild red raspberries
still warm from the sun
and smelling faintly of jewelweed
in memory of my father
by Maxine Kumin
I eat these
wild red raspberries
still warm from the sun
and smelling faintly of jewelweed
in memory of my father
tucking
the napkin
under his chin and bending
over an ironstone bowl
of the bright drupelets
awash in cream
under his chin and bending
over an ironstone bowl
of the bright drupelets
awash in cream
my
father
with the sigh of a man
who has seen all and been redeemed
said time after time
as he lifted his spoon
with the sigh of a man
who has seen all and been redeemed
said time after time
as he lifted his spoon
men
kill for this
I
envy her ability to distil and condense, in stark contrast to my
weakness for prolixity.
I
love how the memory of her father appears in this simple vignette.
It's this personal and emotional touch that makes her poem work. If
mine fails, it's because it's too bloodless.
What
really inspired me was the smallness of subject, as well as how such
a small piece allows so much scope in terms of sensation: sight
sound and smell, as well as taste. Not to mention the emotional
resonance of food in general.
Spellcheck
red-lined “drupelet”. So I Googled, and it is a word:
each little facet on a raspberry is a drupelet. Stumbling upon a
lovely word like that is often enough to kick-start a poem!
I
chose blueberries. Because it's my favourite fruit. Because I
couldn't have done raspberries any better. And because a poem about
the same berry would have been more derivative than inspired.
Oddly,
though, my father also relished raspberries. They grew in the
backyard of our first house. A suburban house, but wild fruit, since
they were neither planted nor cultivated. He was not an outdoorsy
guy, or really much attuned to the natural world. But he took great
pleasure in harvesting the raspberries from our backyard. Unlike me,
he had a sweet tooth, and his favourite was raspberry jam.
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