Saying Grace
We
never said grace.
3
hungry boys
at
the family table
1
wheedling dog
underfoot.
We
learned to eat fast
before
it was gone.
When
even people like us
--
of nominal faith, and hardly observant --
would
do well by thankfulness.
And
a ritual
to
begin the meal
can
be comforting,
a
thoughtful pause, a formal start
before
the free-for-all,
digging-in
chowing-down.
As
well as a nod
to
togetherness,
whether
holding hands
or
solemnly clasping our own.
But
how to give thanks
when
you don't believe in prayer?
When
it seems hypocritical
deferring
to God?
Back
when we killed an animal
for
its meat,
gutted,
cleaned, butchered it,
we
were obliged to be grateful.
A
life for a life,
the
intimacy
of
the knife through the neck.
The
hot spurt
of
arterial blood
so
exquisitely red.
But
if gratitude
is
the foundation of happiness
we
can also give thanks
for
steaks that come plastic-wrapped,
relief
when the harvest
is
in, at last.
For
the company of table
the
safety of home.
Each
morning at school
began
with the anthem
on
a scratchy PA.
Then
the Lord's prayer,
rattled-off
like a formula
word-for-word.
And
at summer camp
an
insincere grace,
as
irreverent as "Rub-a-dub-dub
thanks
for the grub
yaaaay, God!"
Now,
I say nothing at all.
Just
stop
in
humility, and wonderment
at
the cosmic unlikelihood
of
this
...me
...me
...us.
At
the privilege of sentience,
the
bounty
of
enough.
The plastic-wrapped steak is
kind of where this poem originated for me. That is, it began with how alienated
we are from the sources of our food. (Which is why the preceding stanza is so
graphic. For meat to be both halal and kosher, the main artery in the neck is
cut while the animal is alive -- unlike the usual practice, in which livestock
are stunned with a bolt to the brain. This is thought to allow the animal to be
properly bled. And it means that the ritual slaughterer has no choice but to be
intimate with the bloody essence of killing.)
The poem also began with how
complacent we are about industrial agriculture, and our utter lack of
self-sufficiency without it. Because we feel, in fact, no relief when
the harvest/ is in: we never for a moment imagine it could be otherwise!
But the reality is that when the oil stops and the fertilizer's gone and the
trucks grind to a halt and we've pumped all the aquifers dry, and then one day
out of the blue we're surprised to find all the supermarket shelves stripped
clean, we'll quickly starve.
Although of course, the heart of
the poem is right there in all the repetition -- in words like grace and
thankfulness and thanks: it's a poem about gratitude; a poem that
turns on the saying of grace. In some family cultures, this is automatic. Which
doesn't presume that it's either meaningful or sincere: it can be an empty
ritual, a comforting habit, a matter of inertia. And sometimes it's not the
least bit heartfelt; instead, it can be the oppressive obligatory unction of
austere religiosity.
I like the idea of grace and of
ritual, but don't believe in God. So the language of grace usually leaves me
cold. But I'm also aware of the power of gratitude, of the imperative of
perspective and humility. So the poem offers a resolution to this conflict
between my need for reverence and my disdain for its conventional form: an
atheist's grace, if you will.
I'm not sure if the silly grace
fits the mostly serious tone of the rest of the poem. It's here because it's
true. And because I hope it will either invoke nostalgia or evoke delighted
smiles. I grew up when the ritual expression of mainstream religion was still
present in these public spheres: school, camp. In the Canada
of that era, there was the unquestioned presumption that we were a Christian
nation. (Today, of course, the imposition of such majoritarian values would
never be tolerated.) For many formative years, I was involved with a YMCA
summer camp (Pine Crest, run by the Toronto Y on a lake near Gravenhurst). Back
then, the ritual of grace, along with vespers on Sunday morning, were the two
surviving vestiges of its Christian foundation; but a grace, as the example
attests, that had been corrupted to the point of meaninglessness.
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