Sitting on the Fence
Sept 20 2024
Chain link
topped with razor wire.
Perhaps electrified,
and too high off the ground
to hop down lightly
or clamber easily up.
Or less forbiddingly
built for privacy;
solid wood
looming high overhead,
gate chained shut.
Better yet
a white picket fence
around a modest bungalow
and its small plot of grass;
an unassuming claim
on my piece suburbia.
But in a world this complex
there’s no simple divide,
no bright line
between two sides.
And it doesn’t take long
until sitting on the fence
in indecision
begins to hurt,
its precarious edge
digging in
to your sorry posterior.
Not like back in the day,
when flagpole sitters
lasted for months,
and marathoners
danced ’til they slumped
in each other’s arms
asleep on their feet.
I look out
through galvanized mesh,
uncertain
whether it’s keeping them at bay
or me in.
Because chain link, in gunmetal steel
has the carceral feel
of a car impound lot
or stingy prison yard,
an asylum
for the criminally insane
where every door is locked.
Of course, I could hop it any day.
Or, like the flagpole sitter
balance there,
gazing out from the heights
at a binary world
and choosing sides.
Because what could put one more at ease
than on or off
in or out
them or us?
When the choice is between a middle-of-the road Democrat and Donald Trump, I find it hard to believe that there can be any fence-sitters left: the undecided voters who, apparently, will decide the 2024 Presidential election.
I also recently installed a tall chain link fence around my house (dogs!), and still have my qualms about its institutional look and feel (although no razor wire or electrification!)
So I suppose a coming together of these two things is where the poem began. And ultimately, it’s about the black and white worldview of the demagogic populist: one that divides the native born from the foreigner; the regular folk from the elites; the ins from the outs and the us from the them.