Dark
Continents
April
6 2018
I
love old maps.
The
artistry.
The
singularity
of
something inked by hand.
The
thick vellum
of
an object meant to last.
The
heroic certainty they convey
despite
all the guess-work,
as
assured as the conquerors, and settlers
on their civilizing mission.
The
exotic people, and romantic places
one
easily imagines
where
sirens beckon
and
dragons lurk.
The
possibility
of
all that vacant space
beyond
the known world.
Dark
continents,
when
the vast interior
was
incognita
and
oceans dropped over the edge.
Before
we could look down from space
and
the world seemed to shrink
and
it was easy to believe
we
were its masters.
Even
the gas station road map
I
found crammed in the glove box
of
the old Buick hard-top
rusting
out back.
Its
paper brittling and fading and frayed.
Its
accordion folds cracked.
The
cramped notations
in
my mother's hand
in
sharp ball-point pen;
like
a palimpsest
of
best-laid plans.
The
whole Eastern seaboard
from
New York to Disney World
with
its approximate coast
and
darkly ruled interstates
and
flatly rendered terrain,
guiding
us
into
the glamour and zing
of
middle America.
As
if towns and roads and rest-stops
were
all that counted
from
the commanding heights
of
the 20th century traveller.
My
dad, a different man, with work on hold;
one
hand, lightly on the wheel
a
sunburned elbow jutting out.
My
mother, navigating fretfully
who
rode shotgun next to him.
And
3 boys, in the back bench-seat
jostling
for room.
With
me, the youngest, stuck in the middle,
legs
hunched
over
the hump in the floor
so
my feet had nowhere to stretch.
Everyone
sweltering
in
the high summer heat,
before
cars had air conditioning
and
seat-belts were undreamt of.
Where
I saw the first black man
I'd
ever seen.
Except
back then
we
called them Negroes, or coloureds
and
I probably stared.
Terra
incognita, heading south,
following
the map, deeper and deeper
into
the tantalizing heart
of
the dark continent.
Remember, this was early
1960s Toronto: a wintry and provincial Presbyterian city that was
overwhelmingly white; hardly the vibrant cosmopolitan place it is
today. So I really do think I saw my first African American on
one of our family road trips south of the border. And I can only
imagine Buicks when I think of this era, even though there is no
rusting car out back. Not even an old road map, in fact. Although for
young people today, navigating by one of those paper accordion-folded
maps and not GPS would probably seem as ancient and inconceivable as
a rare medieval one.
I
do love old maps. I think they're beautiful. I admire the skill of
their illustrators and engravers. I'm utterly mystified how they were
made, at the plodding pace of human travel and without an eye in the
sky. And I'm particularly in awe of the perseverance of the
wilderness explorers who mapped this country, through
interminable winters and black-fly season and down treacherous
unmarked rivers into the unknown – unknown to the Europeans, that
is.
I
like the inversion that ends this poem. Historically, we in the west
have patronized Africa: calling it the “dark continent” when
really, it was simply we who were in the dark because of our
ignorance. (Similar to “dark continent”, there is “the dark
ages”: a period of history as dynamic as any other, no doubt, but
which we have regarded as benighted simply because of our own lack of
knowledge. And going back to Africa, one might also consider how the
distortion of the standard mercator projection significantly
under-represents that continent, making it appear relatively smaller
than it should be.) So applying “dark continent” to America is
both self-deprecating – a gentle swipe at my own ignorance as a
young boy – and an ironic comment on the darkness of the civil
rights era, and perhaps as well on the bourgeois sensibility and
superficiality of middle America and tourist culture. (Terra
incognita also has a certain resonance with terra nullius,
the self-serving theory that the newly discovered lands of North
America were unoccupied, and so free for the Europeans to claim as
their own.)
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