Saturday, April 28, 2018


Ouroboros
April 27 2018


The snake eating its tail.

A closed loop, wriggling and writhing
that inch-by-inch constricts,
a tightening noose
consuming itself.

The mystical circle
that represents wholeness,
the insoluble knot
cinching closer and closer.



Like the question that answers
and so endlessly asks,
tautologically
circling back and back.

Like the life too-examined
that ruminates and frets,
too mired in the past
to move ahead.

Like the toxic vices
of greed and pride,
so self-referential
self-satisfied.



Oh, how the serpent is despised.

Its muscled mass, priapic strength
that lethal tongue
blindly tasting its prey.
The quick-silver slither, that whispers like silk,
the silent strike
the alien killer.

Its cool dry skin.
Its jaw unhinged, swallowing holus-bolus.
And like the ouroboros
how we can eat ourselves up
with envy, regret
self-loathing.


A rustling in the tall grass
stealing closer and closer.


Wednesday, April 25, 2018


Sunrise Senior Living
April 23 2018


I spy her in a shapeless dress
but my eyes are fixed on her hair,
more white than grey
and frazzled, neglected, unkempt;
looking finger-in-socket wild,
or as if left by itself to dry
in the close institutional air.

The awkwardly long stare
before she recognized her youngest.
Only later would I notice
the scrawled reminder
among the random scraps and cryptic notes
see Brian Sunday.
An antique table, I recall from home
littered with reminders,
its burnished finish dull
and the joint of the rim splitting
in the dry winter heat
of her cramped rectangular quarters.
80 degrees, the thermostat says,
while out the narrow window
cars idle under falling snow
four stories down.

It would be kind
to call her absent-minded,
when the brain is riddled with holes
and she knows just enough to know
how her mind is failing.

The surprising flashes
of mental sharpness.

The essential self, both good and bad
than seems indelibly her;
both stubborn and kind
polite, and paranoid,
her old familiar impatience
combined with uncommon grace.

The loneliness
of an unbreakable couple
when you're the one who is left behind,
and there seems no point to life
except more of the same.

I try to travel back with her,
but even in the distant past
she seems unsure.
And I realize
that as her memory goes
parts of my life are going as well;
the matriarch
we depended on
to remember for everyone else.
We counted on her as the glue
    —   from curating birth-weights, to cousins-once-removed   —
but now the custodian of our story
barely navigates these corridors
and loses track of days.

The busy foyer
where residents shuffle by,
and Filipino women
with smooth oval faces, and lustrous black hair
dutifully shadow them.

Where she sits, purse clutched,
bulging with stuff
no one can fathom.

Where she putters and straightens and neatens-up
with that politely fixed smile
that seems both apologetic, and driven,
perhaps
her sense of order still offended
at our unmade beds
and the mess of growing boys.

So which is tougher?
Getting older
in a broken body, with a healthy mind?
Or in a body that's oddly robust,
only to be betrayed
when the mind fails?

I cannot help
thinking of myself
when I see her this way.
Will my final days
be filled with rage
or grace
or someone to care?
Or will I, too, end badly,
in some dreary place, like this,
fingers fitfully picking
at dignity's tattered threads
as the sun descends
in its steady arc?

A shadow of herself,
peering out
with agitation and doubt
through the gauze of incomprehension,
confused by a world
in which she finds she has lost her place.
Old age,
where loss after loss
is what you learn to live with,
and memories fade
to the eternal limbo of now.




For the first time in a long time, I visited my mother in her senior's home (yes, Senior Sunrise Living) in Toronto. And yes, I have been negligent in my filial duty (my hatred of travel notwithstanding).

My two examples – birth weight, and the remote relative – are chosen quite deliberately. Because birth weight is where this started: it's utterly insignificant, I know, but sometime during this visit the thought crossed my mind that no one in the world now knows what weight I was at birth (oh, I suppose it's recorded somewhere; perhaps surviving as a small paper entry in the dusty recesses of an ancient medical records department) except her; and she was the one who sent out cards and kept track of family and remembered every significant date and anniversary. Now, no one does any of this, and the extended family atomizes.

She has deteriorated substantially. Clearly, she will soon need to move to a higher lever of care. Since the loss of my father and then her move from home, I get the impression she is waiting out the clock. As seems to happen with dementia, one's enduring traits and underlying character are unmasked and sharpened. So she can be both frustrating and endearing. Her hearing is going, which I know adds to her feeling of isolation. I can't tell if she is lonely, or if she simply forgets the social life she leads there. One consoles oneself that forgetting can be a kind of blessing, but it can also be accompanied by distress. Especially when I observed how agitated she got in the early evening, becoming disoriented and demanding: the so-called “sun-downing” phenomenon, which is a common feature of dementia.

I owe the third last stanza to my niece Jacqueline, who is a new mother herself. She commented on how lucky she was that her two grandmothers are still alive, then added how ironic it is that one is riddled with infirmity and pain but razor-sharp mentally, while the other is in good physical health but losing her mind. I had to wonder which I would chose. My niece's answer was quick and clear: she thought losing you mind was better, because presumably you wouldn't be aware of it. Trouble is, you are: only in the advanced stages of dementia do you lose insight. My mother will frequently lament how her once incisive memory is now so poor, and clearly gets frustrated at her disability.

This is a long poem. There are details and tangents and discursions that may seem excessive or distracting. But in my writing I've always taken pleasure in close observation, which I think is the poet's calling. And I think l these small excursions have purpose: for example, the table from her past life that is deteriorating from neglect; the falling snow, adding to the sense of bleakness; the caregivers' hair, in contrast to my mother's.

And don't we all wonder how we will end? Who doesn't give in to this very human solipsism? Is a parent's fate our own destiny? Will the mean curmudgeon I fear lies just beneath my surface emerge as my mental faculties and social defences are stripped away?

And how ironic that some regard the ability to live in the moment as the highest form of enlightenment, when in the case of my mother the “eternal now” seems more life sentence than liberation.

Sunday, April 8, 2018


Dark Continents
April 6 2018


I love old maps.

The artistry.

The singularity
of something inked by hand.

The thick vellum
of an object meant to last.

The heroic certainty they convey
despite all the guess-work,
as assured as the conquerors, and settlers
on their civilizing mission.

The exotic people, and romantic places
one easily imagines
where sirens beckon
and dragons lurk.
The possibility
of all that vacant space
beyond the known world.

Dark continents,
when the vast interior
was incognita
and oceans dropped over the edge.
Before we could look down from space
and the world seemed to shrink
and it was easy to believe
we were its masters.

Even the gas station road map
I found crammed in the glove box
of the old Buick hard-top
rusting out back.
Its paper brittling and fading and frayed.
Its accordion folds cracked.
The cramped notations
in my mother's hand
in sharp ball-point pen;
like a palimpsest
of best-laid plans.

The whole Eastern seaboard
from New York to Disney World
with its approximate coast
and darkly ruled interstates
and flatly rendered terrain,
guiding us
into the glamour and zing
of middle America.
As if towns and roads and rest-stops
were all that counted
from the commanding heights
of the 20th century traveller.

My dad, a different man, with work on hold;
one hand, lightly on the wheel
a sunburned elbow jutting out.
My mother, navigating fretfully
who rode shotgun next to him.
And 3 boys, in the back bench-seat
jostling for room.
With me, the youngest, stuck in the middle,
legs hunched
over the hump in the floor
so my feet had nowhere to stretch.
Everyone sweltering
in the high summer heat,
before cars had air conditioning
and seat-belts were undreamt of.

Where I saw the first black man
I'd ever seen.
Except back then
we called them Negroes, or coloureds
and I probably stared.
Terra incognita, heading south,
following the map, deeper and deeper
into the tantalizing heart
of the dark continent.




Remember, this was early 1960s Toronto: a wintry and provincial Presbyterian city that was overwhelmingly white; hardly the vibrant cosmopolitan place it is today. So I really do think I saw my first African American on one of our family road trips south of the border. And I can only imagine Buicks when I think of this era, even though there is no rusting car out back. Not even an old road map, in fact. Although for young people today, navigating by one of those paper accordion-folded maps and not GPS would probably seem as ancient and inconceivable as a rare medieval one.

I do love old maps. I think they're beautiful. I admire the skill of their illustrators and engravers. I'm utterly mystified how they were made, at the plodding pace of human travel and without an eye in the sky. And I'm particularly in awe of the perseverance of the wilderness explorers who mapped this country, through interminable winters and black-fly season and down treacherous unmarked rivers into the unknown – unknown to the Europeans, that is.

I like the inversion that ends this poem. Historically, we in the west have patronized Africa: calling it the “dark continent” when really, it was simply we who were in the dark because of our ignorance. (Similar to “dark continent”, there is “the dark ages”: a period of history as dynamic as any other, no doubt, but which we have regarded as benighted simply because of our own lack of knowledge. And going back to Africa, one might also consider how the distortion of the standard mercator projection significantly under-represents that continent, making it appear relatively smaller than it should be.) So applying “dark continent” to America is both self-deprecating – a gentle swipe at my own ignorance as a young boy – and an ironic comment on the darkness of the civil rights era, and perhaps as well on the bourgeois sensibility and superficiality of middle America and tourist culture. (Terra incognita also has a certain resonance with terra nullius, the self-serving theory that the newly discovered lands of North America were unoccupied, and so free for the Europeans to claim as their own.)