Morning
Paper
It arrived like clockwork.
Dropped-off at dawn,
then folded, locked
and expertly tossed
onto lawns cool with dew
at blank front doors.
Or lost in the shrubbery
wind-caught
rained upon.
Day-old news,
appearing on my porch
like a familiar nod
of reassurance.
That the world went on.
That calamity
was the lot of others
far away.
That nothing ever happens
here
in the humdrum calm
of this settled street
tsk-tsk’ing
sympathetically;
shades drawn, doors locked
sleeping dogs lie.
Except for natural disasters
and Moon
Landing
it spoke in a low voice,
no megaphone headlines
plain black print.
The cheap ink smudged,
a forensic trail
of fingerprints.
And its flimsy pages were tissue-thin,
butter-stained, toast-crumbed.
But along with hot coffee and ticking clocks
it was our morning rite,
before off-to-school
the workday slog.
And the paperboy, up by
dawn,
who was our lifeline
to the world outside.
To birth and death
and newlywed.
To war and peace
and what was said.
To big event
and consequence.
But most of all
to home-team triumphs
grocery flyers
the classifieds.
And in the end
bird-cage liners
starting fires
marking time.
Cheap pulp
that isn’t meant to last.
History’s first draft,
in random piles
yellowing on the back
porch.
I’ve read the same morning paper for too many years to
mention. I feel vaguely guilty about this, despite my dedicated attachment to
this comforting ritual.
The daily paper seems like an act of responsible good
citizenship: keeping up-to-date,
cultivating informed opinions.
On the other hand, newspapers – padded out with quirky side
bars and human interest and “news you can use” – have the breathless urgency of
the “now”, without the perspective and analysis of the long view – at least they
did in the pre-internet days, before the daily paper had to re-invent itself as
a more thoughtful observer.
And how important, really, is being in the know, keeping
informed? I may have impressive
knowledge and insightful opinions, but if all I do is sit and pontificate
instead of taking action, what’s the point? How virtuous, really, am I?
I think this ambivalence is here in the contrast between “big
event and consequence” and what we secretly value in a newspaper – the sports
scores and flyers and classified ads. And in its ignominious end: lining a bird-cage, yellowing on the back
porch.
I guess this is another of my nostalgia poems. Because
physical newspapers – on actual paper, home-delivered, before there was even
colour – are quickly becoming an anachronism.
They will soon be something only the old remember, and the young only see
in movies: as exotic as newsreels and
typewriters and big black telephones heavy as bricks.
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