Getting
Lucky
April 1 2015
They would park an oldPontiac
out on the ice
in early April.
Or a Rambler, a Nash
your dad’s Studebaker,
They would park an old
out on the ice
in early April.
Or a Rambler, a Nash
your dad’s Studebaker,
a window cracked for air.
The Knights of Columbus, or local Rotarians
taking bets on the break-up
for annual charity.
When it would bury its nose
in softening slush,
slip slowly under, then quickly plunge
down to the muzzy muck,
a trail of bubbles, burbling-up
in its wake.
Sometimes
The Knights of Columbus, or local Rotarians
taking bets on the break-up
for annual charity.
When it would bury its nose
in softening slush,
slip slowly under, then quickly plunge
down to the muzzy muck,
a trail of bubbles, burbling-up
in its wake.
Sometimes
it would hang there, teetering,
tantalizing, teasingly.
Before the weight of water
swamped the empty compartment
and pulled it down,
swamped the empty compartment
and pulled it down,
soundlessly slipping from
sight.
Someone’s treasured car
once tuned, and oiled, and
buffed
now unceremoniously sunk
for a small cash prize.
And left behind,
And left behind,
the dream-catcher
that promised luck
that promised luck
dangling from the rear-view
mirror.
The torn bench seat
where an awkward boy, ingenuous girl
first made love,
engine running, glass steamed-up
some hot and troubled night.
So the lakebed is littered with cars,
Ford Roadsters
The torn bench seat
where an awkward boy, ingenuous girl
first made love,
engine running, glass steamed-up
some hot and troubled night.
So the lakebed is littered with cars,
Ford Roadsters
and old De Sotos
and totalled Chevy Coupes,
stripped junkers, frozen in time
stripped junkers, frozen in time
in the cold dense
stillness.
An iron reef
of blooming weeds, shifting silt.
An iron reef
of blooming weeds, shifting silt.
Where stalled traffic
sits grid-locked,
sits grid-locked,
streamlined fish, darting
past
with quick powerful
flicks.
And fishing shacks
are firmly planted,
caught by an early thaw.
Almost upright,
as if he'd just stepped out to pee,
are firmly planted,
caught by an early thaw.
Almost upright,
as if he'd just stepped out to pee,
line left
hooked, and baited, and
set.
Where beer bottles
were chucked by drunks,
and odds and ends
are stuck in mud,
and snow machines
are still gassed-up
but dead.
A postcard lake,
with a graveyard
of vintage cars
concealed in its depths.
I lost my bet, this year.
ThePontiac
of budding romance, and innocence lost
has yet to meet its end.
And even then
will still be there,
sinking-in to the muck.
Where beer bottles
were chucked by drunks,
and odds and ends
are stuck in mud,
and snow machines
are still gassed-up
but dead.
A postcard lake,
with a graveyard
of vintage cars
concealed in its depths.
I lost my bet, this year.
The
of budding romance, and innocence lost
has yet to meet its end.
And even then
will still be there,
sinking-in to the muck.
That dangling thing, the back bench seat,
where fish spawn
where fish spawn
and weeds spread,
and memory’s left
and memory’s left
to rust.
Except it turns out
no one got lucky.
An unsold ticket
and there was no winner
the day the car went through.
Except it turns out
no one got lucky.
An unsold ticket
and there was no winner
the day the car went through.
I would never have known about this charming northern small-town ritual if I weren't a regular listener to Garrison Keillor's A Prairie Home Companion. ...Of course,
I started out with no idea where this poem would go. But I couldn't resist the litany of old cars. (All the while manfully resisting my favourite: no Buicks in this poem!)
And there is a familiar trope here that must have been fermenting away in my subconscious: the idea of concealment; of deceptive surfaces. All this junk, at the bottom of the lake: like some strange arrested Atlantis; an empty city, hidden from view. You could certainly read an environmental message into this, as well: our immense piles of garbage; out of sight, out of mind.
And fooling around in the back seat was really pretty inevitable: what else do you think of with big vintage American cars, after all? So once I went there, the cute double entendre of getting lucky was a natural.
But despite the playful narrative and slightly amusing air, I think the poem contains the usual ambivalence and regret that are part of memory: there in the troubled night and lost innocence; and there in the sense of obsolescence and passage of time, with old things vanishing as if they never existed. And this edge of darkness is also there in the ominous lake-bed, which is muzzy and mucky and cold and weedy and dense; not to mention a graveyard.
I wonder what's dangling from the rear-view mirror. I have no idea. But I think this unknown object contains the idea of something very personal and meaningful that is scorned, ignored, abandoned: like our ignominious end, when the world moves on, and we are soon forgotten; like fish spawning, where we once rutted; like our valued things, overgrown by weeds. Like discontinued cars, no one recognizes any more.
(Sorry about all this darkness. But if I wanted to write all unicorns and rainbows, I'd be writing for Hallmark.)
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