Hard-Boiled
Jan 3 2015
When the egg cracked
the hard black rim.
When the egg splat, the cast-iron pan
all sizzle and spit.
When the egg sat
on simmer, a minute,
white whitening
When the egg cracked
the hard black rim.
When the egg splat, the cast-iron pan
all sizzle and spit.
When the egg sat
on simmer, a minute,
white whitening
grease turning crisp.
And as the skillet smoked, yolk glistened
a practiced hand
exactingly finished,
flipped
And as the skillet smoked, yolk glistened
a practiced hand
exactingly finished,
flipped
over-easy
with a flick-of-the-wrist.
Or sunny-side up,
left, as is.
Whose wide-eyed yolk
stares out, unflinching,
a mutely accusing
unrealized chick.
with a flick-of-the-wrist.
Or sunny-side up,
left, as is.
Whose wide-eyed yolk
stares out, unflinching,
a mutely accusing
unrealized chick.
So it's boiled, or poached
scrambled, or Benedict,
because no one wants
breakfast
to be argumentative.
Just a fun poem with lots of word-play. ...Or, if you
prefer, a dense theoretical treatise on which came first!
I found myself paralyzed by all the possible titles. Hard-Boiled appeals for a few reasons. I like the inherent tension -- subtle as it is -- in the hyphenated words: the wet of boil and the solidity of hard. I like the misdirection, since I immediately think of a noirish detective. And I like how it makes the reader pay attention, since the poem takes all the way to the final stanza before there is anything close to hard-boiling.
I find my poetry is very visual: I'm usually looking out at the world, not smelling or touching or listening. And hardly ever tasting! So I quite enjoyed the beginning, which is full of sound. And the way the short sharp words have this onomatopoeic quality, as well as this satisfying "mouth-feel" when said out loud.
I found myself paralyzed by all the possible titles. Hard-Boiled appeals for a few reasons. I like the inherent tension -- subtle as it is -- in the hyphenated words: the wet of boil and the solidity of hard. I like the misdirection, since I immediately think of a noirish detective. And I like how it makes the reader pay attention, since the poem takes all the way to the final stanza before there is anything close to hard-boiling.
I find my poetry is very visual: I'm usually looking out at the world, not smelling or touching or listening. And hardly ever tasting! So I quite enjoyed the beginning, which is full of sound. And the way the short sharp words have this onomatopoeic quality, as well as this satisfying "mouth-feel" when said out loud.
Here's the original ending:
So it's boil, or poach
soufflé, or scramble,
because breakfast on toast
should never talk back.
But since the entire poem is mostly silliness, I figured the
more clever rhyme should by all rights win.
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