Dregs
No one stops for directions
on the only highway here.
All signs point away,
arrow straight
two lanes
past the city limits.
As if stretched as thin as it gets,
pulled taut, across a thousand miles
of emptiness.
In the middle of nowhere
it’s easy to feel cut off
from everywhere else,
a small island of light
glowing
in the rear view mirror.
On a bad day
the produce section is pretty much emptied out.
Some hard Mexican tomatoes
depressingly pale,
illegal aliens
who should never have left.
like a palooka boxer
paid to lose.
And onions, that once
were flushed with youth
were flushed with youth
now shrunken, smooshed.
As vulnerable as us
to a jack-knifed tractor trailer
white-out snow.
This life-line road
that brings everything
we once did ourselves
or did without.
A single day of grace
until the shelves
are picked-over bones
and we’re hoarding cabbages.
So I grabbed
a torn mesh bag,
Florida oranges
going bad.
Like landless Cubans
fleeing further north,
rotten sons
mixed-up with drugs, or guns
who had disappointed
proud Latino fathers.
When only the dregs are left
how much depends
on that long thin stretch
of asphalt.
On complexity, and interdependence.
On average men
stifling yawns,
resisting
heavy eyelids.
Another road-trip
into winter,
humming along
to good ole boys, singin' hurtin’ songs
to good ole boys, singin' hurtin’ songs
in the southern drawl
of home.
What a stark illustration of our vulnerability: how we depend on complex systems; how high
our expectations have become; how helpless we are to meet our own basic needs.
And how quickly the illusion of abundance, of serene orderly civilization,
comes crashing down.
The basic premise of the poem is true. We’re a long way from
anywhere, and connected by a tenuous ribbon of asphalt, mostly just two thin
lanes. (The gas supply is the same: a
single pipe, extending thousands of miles, that’s absolutely just-in-time
-- interrupt it, and the furnace
immediately dies, every house goes cold.) Most of out food comes from the
south, or the west coast. In a way, we depend upon the kindness of strangers;
even though they have no idea we exist, and we rarely – if ever – acknowledge
them. Which is the part of the poem I like the best: the mutual perplexity between north and
south; the idea of foreignness and incongruity. I hope I was able to convey a
sense of isolation and vulnerability.
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